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    <loc>https://www.electricmarronage.com/the-ruse</loc>
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    <lastmod>2017-12-28</lastmod>
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      <image:title>temp rule 1: how do you escape?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1514423670555-UG8JO9X5YXKU7BZGCCXD/il_570xN.1068196878_h964.jpg</image:loc>
      <image:title>temp rule 1: how do you escape? - start here.</image:title>
      <image:caption>light a candle. play a record. burn palo santo. sit at the typewriter and write. steal a few minutes. thief memories. pull bloodied poems from swollen kidneys. tear away at kindness softness. type every other word that comes until you smell freedom.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1514424487472-LLQTUXYRUTCR3CWR68B5/55c3f0d9e6a552f2c04191da9b13666d.jpg</image:loc>
      <image:title>temp rule 1: how do you escape?</image:title>
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    <image:image>
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      <image:title>temp rule 1: how do you escape?</image:title>
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  <url>
    <loc>https://www.electricmarronage.com/ibili</loc>
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    <lastmod>2016-09-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1514409574208-XDF7UCKEF52MF61TOPLX/f8cc886c-88f1-4bba-bac4-b24912602028.png</image:loc>
      <image:title>temp rule 2: how do you steal?</image:title>
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  <url>
    <loc>https://www.electricmarronage.com/chotto-motto</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-09-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1514422465072-FBU0DRIHTYMWVEUJMCZY/87aa7a95-2b04-42cb-917b-cf0b469ec6e0.jpg</image:loc>
      <image:title>temp rule 3: what does it feel like?</image:title>
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  <url>
    <loc>https://www.electricmarronage.com/american-portraiture</loc>
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    <lastmod>2016-09-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1514409895971-UJSSCMDSNO95DE2D4K8W/https_3A_2F_2F41_media_tumblr_com_2Ff5bca1061f9e02326269ad5aabeadac4_2Ftumblr_nwrfohr9Lh1u138ezo1_1280.png</image:loc>
      <image:title>temp *whatever</image:title>
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  <url>
    <loc>https://www.electricmarronage.com/moodboard-archived</loc>
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    <lastmod>2020-02-07</lastmod>
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      <image:title>Moodboard - Santeria, Mario Vivanco</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1514410963331-SIYH0VHSO74XM5CJIVBG/santeria_models.png</image:loc>
      <image:title>Moodboard - Santeria, Mario Vivanco</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1514411207379-7YIRU0BB7QBY0QEVO4B5/negro_heads_brazil_slavery.png</image:loc>
      <image:title>Moodboard - Richard Bridgens, West India Scenery</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1514411364652-C9P47H0V9A45OSK6IR2U/IMG_20171130_065221_603.png</image:loc>
      <image:title>Moodboard - Thandie Newton, gif</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1514411490467-0M3M5BQ17642HV6XKT20/Brathwaite-Kamau%E2%80%93Conversations_pdf__page_9_of_27_.png</image:loc>
      <image:title>Moodboard - Bill Ashcroft, Utopianism in Postcolonial Literatures</image:title>
    </image:image>
    <image:image>
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      <image:title>Moodboard - Black Marble, WRS</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1514420024169-NH3OZM1CU07EYWIEZ7HT/Stars-Galaxies-Purple-Wallpapers-HD.jpg</image:loc>
      <image:title>Moodboard</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1514422651729-TZLBKE8B71HVTWV7Z2QG/2015-08-17+08.44.57.png</image:loc>
      <image:title>Moodboard</image:title>
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  <url>
    <loc>https://www.electricmarronage.com/electricblog</loc>
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    <priority>0.75</priority>
    <lastmod>2023-05-18</lastmod>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/electricblog/2023/5/18/ar3y32zgshlpe1rk6krefwtqyxtzsg</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/c3b61027-58b8-463c-b627-7d539e925b48/EMP.png</image:loc>
      <image:title>Electric Blog - Attending to the dead: Christopher López and the Hoboken Fires - Make it stand out</image:title>
      <image:caption>Janet Ayala stands for a portrait near her home in Deltona, Florida. She is holding a photo of her mother, Francisca Vazquez who died in the Pinter Hotel arson fire in 1982. Courtesy of the Christopher López.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/6ce47d4f-9635-480c-9b68-7a35b19edc8a/JESS+HEADSHOT.png</image:loc>
      <image:title>Electric Blog - Attending to the dead: Christopher López and the Hoboken Fires - Make it stand out</image:title>
      <image:caption>Jessica Newby is a PhD student in History at Johns Hopkins University. Her research interests are slavery in the 18th and early 19th centuries, enslaved women, family and kinship, sexuality, violence and mourning throughout the Black Atlantic.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/f682fafc-b683-4745-a2ed-c74f007036de/KEVINHEADSHOT.png</image:loc>
      <image:title>Electric Blog - Attending to the dead: Christopher López and the Hoboken Fires - Make it stand out</image:title>
      <image:caption>Kevin Ah-Sen is a PhD candidate in Human Development in the Faculty of Education at McGill University. His work explores theories and practices of diasporic and queer subjectivities by means of aesthetics, death, grief, melancholy, intimacy, and loneliness.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/electricblog/2023/4/19/quixotic-plant-ontology-envying-the-lives-of-calatheas-and-chinese-evergreens</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-04-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/3859eadc-bf59-44a2-81dc-a6be40e1983e/plant1.jpg</image:loc>
      <image:title>Electric Blog - Quixotic Plant Ontology: Envying the lives of calatheas and Chinese evergreens - What does it mean…</image:title>
      <image:caption>that we have forged a path where this kind of day is more likely to remain a dream than a reality we can transform to memory— that these days are hypothetical not just in character but in actualization because we live in a world where moving at turbo speed is quotidian? On this academic path, rebellion is synonymous with the rejection of the persistent do-not-matter-never-ending next tasks. The singular experience of academics is often theorized, but what about us? Imagine. A world where these days of leisure and being taken care of are the norm and not the exception.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/3d148635-8ff5-4167-9a56-05c18c23562c/plant2.jpg</image:loc>
      <image:title>Electric Blog - Quixotic Plant Ontology: Envying the lives of calatheas and Chinese evergreens - Day by day, the leaves turn progressively brown,</image:title>
      <image:caption>but slow enough that the discoloration is noticeable only when it is too late. The webs are translucent and often overlooked from afar, but their symbolic and literal takeover has been long felt. The spider mites of capitalism and white supremacy are adept.  1 tbsp of neem oil, ½ tsp of dish detergent, and 3 cups of water will likely not suffice for the persistent, detrimental pests of the academy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/abb3ee3f-edb2-4525-a8eb-25c3ca7e3d6d/plant3.jpg</image:loc>
      <image:title>Electric Blog - Quixotic Plant Ontology: Envying the lives of calatheas and Chinese evergreens - I do not think we can truly fathom</image:title>
      <image:caption>what it would be like to simply exist. To be fed, watered, homed, loved. Potted, grown, died. Plant landscapes don’t require the “social” qualifier. No wonder I cannot sleep the exhaustion away. Can we exist as though the only promise is  death, as though photosynthesis is all we need?</image:caption>
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    <image:image>
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      <image:title>Electric Blog - Quixotic Plant Ontology: Envying the lives of calatheas and Chinese evergreens - “Reading, Relaxing, Daydreaming…”</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/74152758-342e-46d8-8bec-c1e3fc8ae6dc/Chels+Headshot.jpg</image:loc>
      <image:title>Electric Blog - Quixotic Plant Ontology: Envying the lives of calatheas and Chinese evergreens - Contributor Bio</image:title>
      <image:caption>Chelsea Bouldin (she/her/hers) is a doctoral fellow in the Cultural Foundations of Education program pursuing a Certificate of Advanced Study in Women’s and Gender Studies at Syracuse University. Her work and embodied ethos co-creates worlds that embrace expansive processes of knowing, expression, and being. “How might Afrofuturistic literature serve as a tool for us Black women, girls, and femmes to chart ourselves?” is her most persistent query. As an interdisciplinary scholar, her work and writing embraces a multiplicity of non-conventional practices and angles. Flavorful food, Black sci-fi, boundless writing, impromptu exploration, and laughing endlessly fill her dreamiest days.</image:caption>
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  <url>
    <loc>https://www.electricmarronage.com/electricblog/2023/3/20/valentines-day-a-short-story-by-mary-okonkwo</loc>
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    <priority>0.5</priority>
    <lastmod>2023-04-19</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/9510cb7d-eebf-450b-b5d7-fe1644708bb8/Picture+for+EM+%281%29.png</image:loc>
      <image:title>Electric Blog - "Valentine's Day:" A Short Story About Black Girlhood - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/0d064356-9d2d-48b4-8b85-a753b545fc4b/TMO+Headshot.JPG</image:loc>
      <image:title>Electric Blog - "Valentine's Day:" A Short Story About Black Girlhood - Author Bio</image:title>
      <image:caption>Dr. Toya Mary Okonkwo is a well-wisher of humanity who utilizes the creative impulses of imagination as resistance to enact an ethos arts education as central to advancing vibrant individual and collective changes that contribute to an ever-advancing civilization. Having recently earned her Ph.D. of English (the first Black woman to graduate in the history of that program), Dr. Okonkwo has taught at Purdue, TCU, Paul Quinn College, and UNT. In her dissertation, OUR REAL LIFE PECOLAS AND OGUU CHASES THE SUN - FROM COLLAPSING STARS TO QUASARS: A COSMIC PLAY IN THREE ACTS &amp; TWO INTERLUDES ON THE IMPORTANCE OF IGBO STORYTELLING IN EXPANDING BLACK GIRLHOOD IMAGINATIONS AS RESISTANCE TO SOCIAL ERASURE IN STOP SIX, TX., she blends the creative power of performance and visual storytelling to explore the subjects of #blackgirlmagic as it relates to astrophysics and the neurobiology of transcending the confines of trauma. In her most ardent dreams this project, along with her M.A. thesis, A Handful of Gardenias: Short Stories from My Grandmother, Mary "May" Katherine McKenzie, will be realized for audiences to experience and thereby take the reins of their own journeys towards becoming well-wishers of humanity and lovers of the beauty of our essential oneness. Dr. Okonkwo is an active volunteer with Baha’i community and collects honey native to the lands in which she travels (it makes the best tea!). Her web presence includes: https://www.toyamaryokonkwo.com/ http://www.blacklanguagesyllabus.com/</image:caption>
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  <url>
    <loc>https://www.electricmarronage.com/electricblog/2023/2/17/for-fahima-on-the-occasion-of-flight-words-from-the-overground</loc>
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    <lastmod>2023-02-20</lastmod>
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      <image:title>Electric Blog - For fahima, On the Occasion of Flight: Words from the Overground - “they weep in an inside space”</image:title>
      <image:caption>Painting by Julia Mallory</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1676654948893-M2ZHEG9O3AG9MA2FW6RB/To+take+flight+and+live.jpg</image:loc>
      <image:title>Electric Blog - For fahima, On the Occasion of Flight: Words from the Overground - to take flight and live</image:title>
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      <image:title>Electric Blog - For fahima, On the Occasion of Flight: Words from the Overground - this (porous) aftermath....</image:title>
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      <image:title>Electric Blog - For fahima, On the Occasion of Flight: Words from the Overground - elder trees glimmer</image:title>
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      <image:title>Electric Blog - For fahima, On the Occasion of Flight: Words from the Overground - fugue +(o) (l)ive</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/8aff4ee7-eecf-4de7-b11f-d3fa932e6101/bruised+green+arousal.jpg</image:loc>
      <image:title>Electric Blog - For fahima, On the Occasion of Flight: Words from the Overground - “bruised green arousal”</image:title>
      <image:caption>by Julia Mallory</image:caption>
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    <image:image>
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      <image:title>Electric Blog - For fahima, On the Occasion of Flight: Words from the Overground - “black and red pulsating”</image:title>
      <image:caption>by Julia Mallory</image:caption>
    </image:image>
    <image:image>
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      <image:title>Electric Blog - For fahima, On the Occasion of Flight: Words from the Overground - collective ache</image:title>
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      <image:title>Electric Blog - For fahima, On the Occasion of Flight: Words from the Overground - fugue +(o) (l)ive</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1676655867562-HGX4K152PR295J5CC3SI/BLUE-BLACK+MOANING.jpg</image:loc>
      <image:title>Electric Blog - For fahima, On the Occasion of Flight: Words from the Overground - blue black moaning</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1676655853356-LD6R7BWN1B1E2X5GRK6G/chthonic+cousins.jpg</image:loc>
      <image:title>Electric Blog - For fahima, On the Occasion of Flight: Words from the Overground - chthonic cousins</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1676655876880-GPCOLAK0JE2A17WNY3D3/PORTALS+-+we+stand+in+many+doorways+at+once.jpg</image:loc>
      <image:title>Electric Blog - For fahima, On the Occasion of Flight: Words from the Overground - PORTALS - we stand in many doorways at once</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/31ea2a7a-55ee-4028-acae-c9178c94c178/Julia+Mallory+-+Jan+2023+Headshot.jpg</image:loc>
      <image:title>Electric Blog - For fahima, On the Occasion of Flight: Words from the Overground - Contributor Bio</image:title>
      <image:caption>Julia Mallory (she/they) is a storyteller working with a range of media from text to textiles. She is also the founder of the creative container, Black Mermaids and serves as the Senior Poetry Editor for Raising Mothers and a Poetry Editor for The Loveliest Review. Their work can be found in the Black Speculative Arts Movement exhibition “Curating the End of the World: RED SPRING”, The Offing, Stellium Literary Magazine, Sugarcane Magazine, Torch Literary Arts, and elsewhere. Their short, experimental film, Grief is the Glitch, debuted in 2022. For more information, visit www.thejuliamallory.com.</image:caption>
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  <url>
    <loc>https://www.electricmarronage.com/electricblog/2023/1/17/in-and-with-the-erotic-a-visual-essay</loc>
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    <lastmod>2023-01-19</lastmod>
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      <image:title>Electric Blog - In and With The Erotic: A Visual Exploration - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/3da26027-a9c5-4f3d-a532-f65ab2bbf113/k2.png</image:loc>
      <image:title>Electric Blog - In and With The Erotic: A Visual Exploration - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1b91bf13-a2b5-4f3e-a9f4-85fc31458c1d/K3_.png</image:loc>
      <image:title>Electric Blog - In and With The Erotic: A Visual Exploration - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/0849150a-582b-44bf-bd9f-52424a6e0979/IMG_7883.jpg</image:loc>
      <image:title>Electric Blog - In and With The Erotic: A Visual Exploration - Make it stand out</image:title>
      <image:caption>K Anderson is a writer, porn archivist, and kinkster. Raised in Atlanta and getting further from home each day. Broadly, she writes, studies, and teaches about black sexual economies and geographies, pornography, BDSM, and kink. And yes, she’s ready to play. This visual essay was inspired by: “When Will It Ever End” by The Awakening (1972), “Uses of the Erotic” by Audre Lorde (1978), “What did I say…” series by Zalika U. Ibaorimi (2020), FOREPLAY by Ajamu X in AJAMU: ARCHIVE (2021), and “Louphoria” by Smino &amp;amp; Cruza (2022).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/electricblog/2022/12/14/combustion-being-fugitive-messages-in-the-greenhouse-effect</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-12-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/0f4c2768-5bb4-4215-8b38-c032064a719b/Combustion.png</image:loc>
      <image:title>Electric Blog - Combustion Being: Fugitive Messages in "The Greenhouse Effect" - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/62e0a931-c946-45c2-b271-19aeb247a778/Khanmalek.jpg</image:loc>
      <image:title>Electric Blog - Combustion Being: Fugitive Messages in "The Greenhouse Effect" - About the Author</image:title>
      <image:caption>Tala Khanmalek is a writer, scholar, and educator. She is currently an assistant professor of gender and sexuality studies at California State University Fullerton and a (virtual) visiting scholar at Duke University. Tala earned a PhD in Ethnic Studies at UC Berkeley and was previously a postdoctoral associate at Princeton University. Her creative writing has appeared or is forthcoming in Meridian, Barzakh, BAHR, Indiana Review, Zoeglossia’s Poem-of-the-Week, Split This Rock’s Quarry, Academy of American Poets Poem-a-Day, and It’s Lit with PhDJ podcast. Her scholarly work has been published in Frontiers, Feminist Studies, and Latino Studies, among other journals.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/electricblog/2022/10/23/glamouring-as-a-way-not-to-live</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-11-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1667078555720-O0O5AXBFKU471LCYIZ06/my+mothers2.jpg</image:loc>
      <image:title>Electric Blog - Glamouring As a Way [Not] to Live</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1667078569045-NVMSCD5LUCSGGYMDH88X/dada.JPG</image:loc>
      <image:title>Electric Blog - Glamouring As a Way [Not] to Live</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1667078592583-WN5WYF1AHMRIAVR70X6X/my+mothers1.jpg</image:loc>
      <image:title>Electric Blog - Glamouring As a Way [Not] to Live</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/2ac5fb48-cc5e-49a1-843b-69a750d9e98f/Headshot_Gadegbeku.jpeg</image:loc>
      <image:title>Electric Blog - Glamouring As a Way [Not] to Live - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/electricblog/2022/10/13/the-power-of-invitation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-11-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/d0f0033f-a79a-4246-87f3-688da87e07a3/Camp+1948.jpg</image:loc>
      <image:title>Electric Blog - The Power of Invitation - Make it stand out</image:title>
      <image:caption>Nahr El-Bared Camp 1948 – Source: UNRWA Archives</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/4dd6c09a-61f0-43c9-9e2e-588b7e52d134/Cement+Replace+Tents.jpg</image:loc>
      <image:title>Electric Blog - The Power of Invitation - Make it stand out</image:title>
      <image:caption>"Cement block houses replace tented refugee camp, Khan Younis, Gaza Strip" 1955. Photographer J. Madvo. Source: UNRWA Archives</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/80dc5b9d-9308-46dc-b27c-bcfee006a185/Freedom+Spoon.png</image:loc>
      <image:title>Electric Blog - The Power of Invitation - Make it stand out</image:title>
      <image:caption>Maitham Abdel’s sculpture “Freedom Spoon” – Source: Samidoun</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1be030c3-54be-4005-bb78-83bebaccb70f/The+Tunnel.jpg</image:loc>
      <image:title>Electric Blog - The Power of Invitation - Make it stand out</image:title>
      <image:caption>Israelis investigate the tunnel – Source: Israel Prison Service</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/8326c063-cc39-4fb2-bcc1-92c00dd62768/EG+Headshot.jpg</image:loc>
      <image:title>Electric Blog - The Power of Invitation - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/electricblog/2022/9/30/one-who-sits-on-the-rainbow-a-letter-to</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-11-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/00db7635-adf1-4c86-b164-57dc795e9a35/thumbnail_Paulina+and+Nimosom.jpg</image:loc>
      <image:title>Electric Blog - To My One Who Sits on the Rainbow - Make it stand out</image:title>
      <image:caption>Author, Dr. Paulina Johnson and her nimosôm, Christopher. The artist behind the work can be found on Instagram @lakeeyshahmarie.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/8c17cd72-df4d-4539-8b45-7dbbb2c17a69/thumbnail_Paulina.jpg</image:loc>
      <image:title>Electric Blog - To My One Who Sits on the Rainbow - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/electricblog/2022/7/15/congratulations-to-dr-jessica-marie-johnson</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-07-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1bb93ace-f1e9-4e22-ad66-e1d418de969f/IMG_9325-modified.png</image:loc>
      <image:title>Electric Blog - Congratulations to Dr. Jessica Marie Johnson! - Dr. Johnson, The mark you have left on Hopkins History is indelible . . .</image:title>
      <image:caption>you are a true visionary and tastemaker. Thank you for charting a new path. Even more, however, the mark you have left on us, by creating, sharing and holding space for those who have come behind you, is truly inspirational. Your commitment to a black feminist ethics of care, both within and outside of your scholarship is what sets you apart. Your love for history, your students and peers transcends across time and space. Hopkins, as well as all of us who have been touched by you, are ever  so lucky to share space and be in community with you. I am so  happy we can be a small part of your marvelous journey, congratulations!  —Halle-Mackenzie Ashby</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/9f623de3-c486-4d37-9e8c-0da20ac3c93a/nuriddinayah_web-modified.png</image:loc>
      <image:title>Electric Blog - Congratulations to Dr. Jessica Marie Johnson! - Congratulations on getting promoted to associate professor with TENURE, Dr. Johnson!</image:title>
      <image:caption>I am so incredibly happy and proud of you for all your amazing accomplishments. Not only are you a groundbreaking scholar, you have also been a model of what collaboration, mentorship, and solidarity can look like in the academy. Thank you for showing us what is possible, and thank you for being you.. Enjoy and celebrate this moment because you deserve every minute of this success. I’m tryna be like you when I grow up! I bask in the glory, I stan a legend! Congratulations again! —Ayah Nuriddin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/2610ca59-16d4-4ad9-8466-caab1ea3b1a6/1_6OFcEMK1UQI0gVW65saq2w-modified.png</image:loc>
      <image:title>Electric Blog - Congratulations to Dr. Jessica Marie Johnson! - Dr. Johnson, Your light is bright and protected!</image:title>
      <image:caption>Many congratulations on tenure! You continue to make history while creating space for many of us! Again congrats!!! —Kelsey Moore</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/726305b2-ce48-43ee-8554-1f7d59ee1d9f/Jada%2BSimilton-modified.png</image:loc>
      <image:title>Electric Blog - Congratulations to Dr. Jessica Marie Johnson! - Dr. JMJ: How does it feel to make history?</image:title>
      <image:caption>You never fail to inspire me with your intellect, dedication to scholarship, and your rigor. Congratulations on receiving tenure and on your historic win! Thank you for leading by example and being a role model to look up to. —Jada Similton</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/electricblog/2022/5/18/the-glass-cabinet</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/4f4bf938-a832-400a-bdc4-240aee0bb9a0/6c35f0f9066243efa7ed0b5fd8d97518-0001.jpg</image:loc>
      <image:title>Electric Blog - “The Glass Cabinet” | Text by Jenise Miller |                          Collages by Giana De Dier - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/cea139e6-2954-46a6-bd95-a742f20e6d66/cd701f5b0a4347b49c629d6d58146d34-0002.jpg</image:loc>
      <image:title>Electric Blog - “The Glass Cabinet” | Text by Jenise Miller |                          Collages by Giana De Dier - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/f56ea9b9-b564-41e0-b13a-6d6ba84abca0/cd701f5b0a4347b49c629d6d58146d34-0003.jpg</image:loc>
      <image:title>Electric Blog - “The Glass Cabinet” | Text by Jenise Miller |                          Collages by Giana De Dier - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/a636605a-8709-43b1-99af-dbd79a951cfa/cd701f5b0a4347b49c629d6d58146d34-0004.jpg</image:loc>
      <image:title>Electric Blog - “The Glass Cabinet” | Text by Jenise Miller |                          Collages by Giana De Dier - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/electricblog/2022/3/9/sitdsssved6ta4fntj4z4rp0084yal</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/c124ba96-7e5c-4f6a-b1c1-cdb679f32941/Robert+Lulo+Salsa+Dancer+1976+NYC+.jpeg</image:loc>
      <image:title>Electric Blog - NYC Salsa Locus: Víctor Hernández Cruz’s Poetic Steps - Make it stand out</image:title>
      <image:caption>Robert Lulo. Salsa Dancer, Central Park, 1976. Museum of the City of New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1647659717740-PDPJSD4UKA9YPRNBBVE4/VHC%2Bsnaps%2Bcover.jpg</image:loc>
      <image:title>Electric Blog - NYC Salsa Locus: Víctor Hernández Cruz’s Poetic Steps</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1647659732011-XYSQXI2O9WVRE9G4XNER/VHC+tropicalization+cover.jpeg</image:loc>
      <image:title>Electric Blog - NYC Salsa Locus: Víctor Hernández Cruz’s Poetic Steps</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1647659564701-FVNYS9MOCV24Z9MM8RW8/VHC+Maracas+Cover.jpeg</image:loc>
      <image:title>Electric Blog - NYC Salsa Locus: Víctor Hernández Cruz’s Poetic Steps</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/92cb8a2f-4e80-4cdf-a4ec-b8dacd99fd6f/Screen+Shot+2022-03-18+at+11.29.54+PM.png</image:loc>
      <image:title>Electric Blog - NYC Salsa Locus: Víctor Hernández Cruz’s Poetic Steps - Make it stand out</image:title>
      <image:caption>Screenshot of the multimedia-digital mapping website “Where We Were Safe</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/e3e1ba7d-cfcf-43e1-96ce-d96ace8b9149/IMG_7647%28Dr.+Rojo+Robles+4x6+inches+%40+300dpi%29.jpg</image:loc>
      <image:title>Electric Blog - NYC Salsa Locus: Víctor Hernández Cruz’s Poetic Steps - Rojo Robles</image:title>
      <image:caption>Dr. Rojo Robles is a writer, filmmaker, and professor born and raised in Puerto Rico. He graduated from the University of Puerto Rico, Rio Piedras with a B.A. in Theater and an M.A. in Comparative Literature. He completed his M. Phil and Ph.D. Degrees in Latin American, Iberian, and Latino Cultures at CUNY’s Graduate Center. He is an Assistant Professor of Black and Latinx Studies at Baruch College, CUNY, where his courses are particularly focused on Latin American, Latina/o/x, and Afro-diasporic literature, film, and intermedial cultures. Along with teaching, researching, and writing, Dr. Robles has substantial work as a fiction writer, playwright, and filmmaker. Since 2004 he is the artistic director of the independent group, El kibutz del deseo, dedicated to producing plays, films, and publishing fiction and poetry. He is the author of Los desajustados/The Maladjusted (2015) and Escapistas (2017) and the writer, director, and producer of the experimental film The Sound of ILL Days (2017). He is currently at work on a book project about Boricua intermedial out-of-the-page poetics and disperse archives of dissent. He is also working on a series of articles about cinegraphic and intermedial literature in Puerto Rico, Latin America, and US Latinx communities. Site: www.rojorobles.com Twitter: @rojorobles</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/electricblog/2022/1/28/wrestling-through-field-research-and-work-flow</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-01-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/fbf3509d-aabe-4d0d-a536-d292f67f08a6/erasure+poem+1.png</image:loc>
      <image:title>Electric Blog - Wrestling through (field) research and work (flow) - Make it stand out</image:title>
      <image:caption>Screenshot from my Evernotes app where I have my field notes taken during my time in Puerto Rico and I have used the mark up tool to redact certain parts of the original field notes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/7ad24494-47f3-4469-af98-65a419d6b4f2/erasure+poem+2.png</image:loc>
      <image:title>Electric Blog - Wrestling through (field) research and work (flow) - Make it stand out</image:title>
      <image:caption>The redactions are not presented to obscure the information on the page, but rather to re-present the information. In its re-presentation I am forced to look at what I wrote and what else can exist on that page. I make decisions through erasure to re-create various poetic levels of understanding.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/ea2deffb-3c1d-4b43-885e-9ec4a5aa4f88/erasure+poem+3+.png</image:loc>
      <image:title>Electric Blog - Wrestling through (field) research and work (flow) - Make it stand out</image:title>
      <image:caption>It is messy because I never thought I would be sharing these for real, but here I am.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1643395073274-Z6LGZK87MOH436ZMVOMK/20180821_111116_labeled.jpg</image:loc>
      <image:title>Electric Blog - Wrestling through (field) research and work (flow)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1643395073752-7437G6OGZ265X3M660BP/out+of+order_archivalprint.jpg</image:loc>
      <image:title>Electric Blog - Wrestling through (field) research and work (flow)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/2295d05d-f6fc-4ba8-832d-08c46d9b00c2/Icacos+pic1_LW.jpg</image:loc>
      <image:title>Electric Blog - Wrestling through (field) research and work (flow) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/c4b559ca-5b29-474d-afd4-269d89d69cab/Roadblock+collage_LW.jpg</image:loc>
      <image:title>Electric Blog - Wrestling through (field) research and work (flow) - Make it stand out</image:title>
      <image:caption>Above is the core image used for “Road Block” by Welcome</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/f0d29529-ec70-466d-9b1e-c984580f54a1/20180821_105209.jpg</image:loc>
      <image:title>Electric Blog - Wrestling through (field) research and work (flow) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/5ac4d775-d90a-45ca-83de-4107990eb39a/over-exposed_canvas+print.jpg</image:loc>
      <image:title>Electric Blog - Wrestling through (field) research and work (flow) - Make it stand out</image:title>
      <image:caption>The core image and the collage entitled, “Over-exposed”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/43986e11-75e5-4c5c-8cd7-4e34b873f955/corey+miles+screenshot.png</image:loc>
      <image:title>Electric Blog - Wrestling through (field) research and work (flow) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/electricblog/2022/1/7/black-new-orleans-history-x-art-x-narrative-video</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-01-07</lastmod>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/electricblog/2021/12/16/solidarities-black-girlhood-conversations</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/abd4568d-52e0-4995-ad52-64b0a9962b6a/EM+Black+Girlhood+FINAL.png</image:loc>
      <image:title>Electric Blog - Solidarities: Black Girlhood Conversations - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/electricblog/2021/11/23/binds-that-tie-and-other-ruminations-on-pleasure</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-29</lastmod>
    <image:image>
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      <image:title>Electric Blog - Binds That Tie and Other Ruminations on Pleasure</image:title>
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      <image:title>Electric Blog - Binds That Tie and Other Ruminations on Pleasure</image:title>
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      <image:title>Electric Blog - Binds That Tie and Other Ruminations on Pleasure</image:title>
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      <image:title>Electric Blog - Binds That Tie and Other Ruminations on Pleasure</image:title>
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      <image:title>Electric Blog - Binds That Tie and Other Ruminations on Pleasure</image:title>
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      <image:title>Electric Blog - Binds That Tie and Other Ruminations on Pleasure</image:title>
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      <image:title>Electric Blog - Binds That Tie and Other Ruminations on Pleasure</image:title>
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      <image:title>Electric Blog - Binds That Tie and Other Ruminations on Pleasure - Cristal Alba</image:title>
      <image:caption>is an interdisciplinary artist, rope worker, and community curator based in southern Califas and Chicago, IL. Their art and praxis addresses latinx ancestral legacies of queer resilience and sexual liberation via the craft of bookbinding, bondage, and community organizing. Through their work, they seek to activate memory and storytelling/keeping through collective pleasure, pornography and art.  House of Huitlacooch is a QTPoC-run, QTBIPoC-centered, Chicago-based kink and BDSM collective that celebrates the vibrancy of alternative representations of sex and pleasure. As a collective, we are rooted in the belief that we are all sexual beings that are worthy of sexual healing. We envision the existence of community spaces that allow us to workshop our realities free from white-centric and hetero-centric control, and by uplifting Black, brown, indigenous, immigrant, queer, trans, fat, and different-abled bodies in our communities, we empower ourselves to create a gender-affirming sensual-sexual galaxy that reflects all of our fetishes and desires. Home www.Houseofhuitlacooch.com IG @elcalbarioo || @houseofhuitlacooch Our porn on PinkLabel.TV</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/electricblog/2021/10/4/mmawinew-shehe-assembles-them-a-curation-of-wahkomkanak-kiskeyitamowi-ancestral-knowledge</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1633654600240-ACPX33QLRFZ1UEUWP4H4/unsplash-image-UBpM_NPeYTw.jpg</image:loc>
      <image:title>Electric Blog - Mâmawinew [She/He Assembles Them]:  A Curation of Wahkomâkanak kiskeyitamowi, Ancestral Knowledge - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1633654733350-ZE930GRCQ19CJIH6SXLR/thumbnail_20180906_180710.jpg</image:loc>
      <image:title>Electric Blog - Mâmawinew [She/He Assembles Them]:  A Curation of Wahkomâkanak kiskeyitamowi, Ancestral Knowledge - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/electricblog/2021/5/16/solidarities-an-electric-marronage-event</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-05-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1621213107191-I0ATISFFD1AV3BNSFP4B/Taller+EM+Solidarities+Flyer+May+13th+2021.png</image:loc>
      <image:title>Electric Blog - Solidarities: An Electric Marronage Event - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/electricblog/2021/5/5/repairing-la-memoria-rota</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-05-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1620254955485-8D7TGRLQQCFJA1LR2GTA/Screen+Shot+2021-05-05+at+6.48.25+PM.png</image:loc>
      <image:title>Electric Blog - Repairing La memoria rota: Feminist Oral Histories as Critical Memory Recuperation and Resistance</image:title>
      <image:caption>Evangelista Acevedo Torres</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1620254484619-RZXB1M6AV05670ENPJFK/Map.png</image:loc>
      <image:title>Electric Blog - Repairing La memoria rota: Feminist Oral Histories as Critical Memory Recuperation and Resistance</image:title>
      <image:caption>Historias orales cayeyanas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1620255017863-QDVRDW24ABVVCY5RLDR1/Screen+Shot+2021-05-05+at+6.47.12+PM.png</image:loc>
      <image:title>Electric Blog - Repairing La memoria rota: Feminist Oral Histories as Critical Memory Recuperation and Resistance</image:title>
      <image:caption>Screenshot of Historias orales cayeyanas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1620257032484-5CA9Q4HNB695YQDH2FZU/headshot+1.jpeg</image:loc>
      <image:title>Electric Blog - Repairing La memoria rota: Feminist Oral Histories as Critical Memory Recuperation and Resistance</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/electricblog/2021/5/5/to-live-and-die</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-05-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1620257441092-LT9IZ0UDE2J3OM5Q4S8A/ballesta_9_20201215_101821_0-1.jpeg</image:loc>
      <image:title>Electric Blog - To Live and Die in the Colony: Notes on Fractured Temporality and Fugitive Thought</image:title>
      <image:caption>En tiempos de pandemia Ballesta 9 ©2o2o</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1620257367177-FIB90UG47V97H8CE6KT0/ballesta_9_20201215_101945_0-1.jpeg</image:loc>
      <image:title>Electric Blog - To Live and Die in the Colony: Notes on Fractured Temporality and Fugitive Thought</image:title>
      <image:caption>En tiempos de pandemia Ballesta 9 ©2o2o</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1620257558219-67XD3Z6BHDBVFGHD0YPR/Eo13OvSXMAAoZDm-1.jpeg</image:loc>
      <image:title>Electric Blog - To Live and Die in the Colony: Notes on Fractured Temporality and Fugitive Thought</image:title>
      <image:caption>En tiempos de pandemia Ballesta 9 ©2o2o</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1620262140215-ZOH9QJY5ADC26N4MVNK8/89924909_2724591730943332_5668004113590255616_n.jpg</image:loc>
      <image:title>Electric Blog - To Live and Die in the Colony: Notes on Fractured Temporality and Fugitive Thought</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/electricblog/2021/5/2/lessons-in-fugitivity-from-my-grandma</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-05-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1619990498008-XBD7RCLRUJSLIUBD61AK/IMG_2747.jpeg</image:loc>
      <image:title>Electric Blog - lessons in fugitivity from my grandma</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1619988839101-6LXC8V0DIAR35346J18B/IMG_5183.jpeg</image:loc>
      <image:title>Electric Blog - lessons in fugitivity from my grandma</image:title>
      <image:caption>Nanny in Cancun with a big plate of food, 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1619990918215-WPL4YN12J3L63IAE1E00/IMG_2749.jpeg</image:loc>
      <image:title>Electric Blog - lessons in fugitivity from my grandma</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1619992353043-U43QR74VR25F48II369L/IMG_2754.jpeg</image:loc>
      <image:title>Electric Blog - lessons in fugitivity from my grandma</image:title>
      <image:caption>I like to think of my grandma’s wall as her personal family archive, curating a non-linear narrative of her life and as well as the entire family.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1619992042534-NG0Q06UXWZ6WYDO2JVTI/IMG_2736.jpeg</image:loc>
      <image:title>Electric Blog - lessons in fugitivity from my grandma</image:title>
      <image:caption>Like many black southerners, my grandma claims to be a devout Christian which means she dabbles in smudging and the spiritual cleansing of the home.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1619991939680-CRODH0FV0QVMBX7N6D6E/IMG_2756.jpeg</image:loc>
      <image:title>Electric Blog - lessons in fugitivity from my grandma</image:title>
      <image:caption>This is one of the many dictionaries my grandma bought me. Education matters a great to her.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1619992288965-1JSGX81NFBG9OHLWYXZR/IMG_2753.jpeg</image:loc>
      <image:title>Electric Blog - lessons in fugitivity from my grandma</image:title>
      <image:caption>Nanny featuring me.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1619992093785-YWP4BT2C6ERLNQ9H5Q5I/IMG_2757.jpeg</image:loc>
      <image:title>Electric Blog - lessons in fugitivity from my grandma</image:title>
      <image:caption>Before my grandma fell in love with her iPad, she would always play Tetris on her Game Boy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1619992322695-RA08FQG0XXEF8LPUNR9R/IMG_2745.jpeg</image:loc>
      <image:title>Electric Blog - lessons in fugitivity from my grandma</image:title>
      <image:caption>Her garden. My favorite plant that she grows is the Elephant Ear (not pictured).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/electricblog/2021/4/13/finding-the-dead-a-fugitives-map-of-the-black-south-pt-ii</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1618540576004-KAY3XPPQXZI5XF8XENTD/memoryjar_.png</image:loc>
      <image:title>Electric Blog - finding the dead: another kind of fugitive map</image:title>
      <image:caption>Grave of two children, Flea Town Cemetery, Paul Kwilecki, 1979 Feb</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1618585517288-R0XY2OYU1NQ40JT3GWJ3/save.png</image:loc>
      <image:title>Electric Blog - finding the dead: another kind of fugitive map</image:title>
      <image:caption>Wooden grave marker with old glass pitcher in abandoned cemetery, Paul Kwilecki, 1983 Dec.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1618372818737-7DFH2BRR0SZHL283O1JH/Monroe_1994.png</image:loc>
      <image:title>Electric Blog - finding the dead: another kind of fugitive map</image:title>
      <image:caption>Untitled, by Gary Monroe, 1994</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1618540469873-SGQ34848E87LYX59QGSB/attapulgus+creek.png</image:loc>
      <image:title>Electric Blog - finding the dead: another kind of fugitive map</image:title>
      <image:caption>Swamp around Attapulgus Creek, Paul Kwilecki, 1982 Jan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1618542319937-YGX6N129HYOF2ADMV30E/download+%2820%29.png</image:loc>
      <image:title>Electric Blog - finding the dead: another kind of fugitive map</image:title>
      <image:caption>Woman in Her Bedroom, Halifax County, North Carolina, Alex Harris</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/electricblog/2021/4/13/noirnnola</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1618359388241-YZ1D1MD33RUJE5BT9Q6Q/cierra+chenier+glitter.jpeg</image:loc>
      <image:title>Electric Blog - Full &amp;amp; Free in New Orleans: Cierra Chenier's Historic Black Resistance</image:title>
      <image:caption>Cierra Chenier</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1618328443505-Y5BD4GLLBA1CUP6RU9XX/chenier+New+Orleans+Is+A+Black+Woman+installation%E2%80%8B+%282019%29+%E2%80%8BCredit+Cierra+Chenier.jpeg</image:loc>
      <image:title>Electric Blog - Full &amp;amp; Free in New Orleans: Cierra Chenier's Historic Black Resistance</image:title>
      <image:caption>New Orleans Is A Black Woman installation (2019) Credit: Cierra Chenier</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1618328817342-QK4FHU6JXRXWK3591BC5/Pour+toujours+Saint+Malo+%282021%29+Credit+Cierra+Chenier.jpeg</image:loc>
      <image:title>Electric Blog - Full &amp;amp; Free in New Orleans: Cierra Chenier's Historic Black Resistance - Pour toujours Saint Malo (2021)</image:title>
      <image:caption>Credit: Cierra Chenier</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1618328911189-NQ5I9TJSDV0LHA50SSDR/The+T%E2%80%8Bignon+Laws+of+1786+Credit+Cierra+Chenier+.jpeg</image:loc>
      <image:title>Electric Blog - Full &amp;amp; Free in New Orleans: Cierra Chenier's Historic Black Resistance - “My New Orleans looks like older Black women sitting on their porches, Black men holding court outside the corner store, and Black children, musicians I should say, that drum on buckets in the French Quarter. It sounds like brass bands, drumming circles in Congo Square, and the Triggerman beat. It feels fulfilling.”</image:title>
      <image:caption>Image: The T ignon Laws of 1786, Credit: Cierra Chenier</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1618448195696-RZPX0Q398R0F5APT9239/NOIR+%27N+NOLA+%7E+Black+New+Orleans+2021-04-14+20-52-23.png</image:loc>
      <image:title>Electric Blog - Full &amp;amp; Free in New Orleans: Cierra Chenier's Historic Black Resistance</image:title>
      <image:caption>NOIR ‘N NOLA (https://www.noirnnola.com/)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/electricblog/2021/4/9/guest-blog-in-our-bones</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-09</lastmod>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/electricblog/2021/3/19/electricmouths</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1617324396629-E8WEFIJDLBRDV4ZHN6G3/1899-couple.jpeg</image:loc>
      <image:title>Electric Blog - Electric Mouths / Wide Open / Catching Rain</image:title>
      <image:caption>Young women, three-quarter length portrait, from The Exhibit of American Negroes, 1900 via aperture.com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1617322460073-LLCIUD0O0ZVSZC9C8SOA/Illustration+from+the+cover+of+Octavia+Butler%27s+Parable+of+the+Sower+Time+Warner+International+by+John+Jude+Palencar.jpeg</image:loc>
      <image:title>Electric Blog - Electric Mouths / Wide Open / Catching Rain</image:title>
      <image:caption>Detail from the 1993 cover of Parable of the Sower by Octavia Butler; cover art by John Jude Palencar</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1617323956028-E8360SH4MF8BEXI9M6QN/Mouths+of+Rain+launch.jpeg</image:loc>
      <image:title>Electric Blog - Electric Mouths / Wide Open / Catching Rain</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1617322856745-HYBFNLE6C71WS8934IU5/briona+simone+jones.jpeg</image:loc>
      <image:title>Electric Blog - Electric Mouths / Wide Open / Catching Rain</image:title>
      <image:caption>Briona Simone Jones</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1617322784796-6SOZO4LNWGT83WS6WQ6P/alexis+de+veaux.jpeg</image:loc>
      <image:title>Electric Blog - Electric Mouths / Wide Open / Catching Rain</image:title>
      <image:caption>Alexis de Veaux</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1617323589424-NWX23II8CPEORLN2AS4X/%E2%80%9CBLACK+LESBIANS%2C%E2%80%9D+Gay+Pride+Parade%2C+London%2C+United+Kingdom%2C+June+1985.+Photo+Getty+via+365daysoflesbians+tumblr.jpeg</image:loc>
      <image:title>Electric Blog - Electric Mouths / Wide Open / Catching Rain</image:title>
      <image:caption>Gay Pride Parade, London, United Kingdom, June 1985. Photo via GETTY. H/T 365daysoflesbians.tumblr.com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1617323732480-7HX82EV93ZYBSGKTXKC1/Lenn+Keller%2C+Black+lesbian+mother+and+son+at+SF+Gay+Pride%2C+San+Francisco%2C+1984.+Courtesy-+H.+Lenn+Keller+.jpeg</image:loc>
      <image:title>Electric Blog - Electric Mouths / Wide Open / Catching Rain</image:title>
      <image:caption>Lenn Keller, Black lesbian mother and son at SF Gay Pride, San Francisco, 1984. Courtesy: H. Lenn Keller via Frieze Magazine</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/electricblog/2021/3/29/meet-the-artist-rebecca-mwase-the-body-as-geography</loc>
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    <loc>https://www.electricmarronage.com/electricblog/2021/3/19/robinsoninterview</loc>
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    <lastmod>2021-03-22</lastmod>
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      <image:title>Electric Blog - Power, Gris-Gris, and the Plurality of a Haunting: Maryam de Capita's New World Order</image:title>
      <image:caption>AUTONOMY, 2021 (Credit: Kristina Kay Robinson)</image:caption>
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      <image:caption>Robinson: Enter at your own risk: All maps are oriented south-up. Adjust accordingly Republica is a maroon society, it is welcoming to outsiders who seek freedom, but who don’t over step.</image:caption>
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      <image:caption>Robinson: Definitely. There are also those entities in between the living and the dead. So much transpired on the road to freedom, so there is a lot of activity in the ether of Republica. Part of Maryam’s most challenging work in the Temple is teaching herself and others how to manage, submit to and/or resist their presence. A lot of discernment is required. Image: CAMARADERIE, 2021 (Credit: Kristina Kay Robinson)</image:caption>
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    <loc>https://www.electricmarronage.com/electricblog/2021/3/5/an-epistemology-of-the-flesh-writing-about-the-sex-in-sexuality</loc>
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      <image:title>Electric Blog - Afro-Boricua Feminine Aesthetics for Survival and Protection: A Conversation with Afro-Puerto Rican Visual Artist Brenda Torres-Figueroa</image:title>
      <image:caption>del verbo morir. to die away from home, 2017 from Dressed as Home and Refuge.</image:caption>
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      <image:title>Electric Blog - Afro-Boricua Feminine Aesthetics for Survival and Protection: A Conversation with Afro-Puerto Rican Visual Artist Brenda Torres-Figueroa</image:title>
      <image:caption>del verbo asimilar. to assimilate, 2017 from Dressed as Home and Refuge .</image:caption>
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      <image:caption>del verbo contener. to hold, 2018 from Dressed as Home and Refuge</image:caption>
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    <lastmod>2020-07-24</lastmod>
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      <image:title>Electric Blog - #SayHerName: A Digital Memorial</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1594955800733-YQF5HHNXW8EN3JSC4MWT/399a514a-ab15-4f41-a985-d84cfaedbe65-breonna.jpg</image:loc>
      <image:title>Electric Blog - #SayHerName: A Digital Memorial</image:title>
      <image:caption>Artist: Ariel Sinha</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1594955819426-NNAWESRICVT5I2JKVYGD/Korryn-Shandawn-Gaines-1024x1024.jpg</image:loc>
      <image:title>Electric Blog - #SayHerName: A Digital Memorial</image:title>
      <image:caption>Artist: Benjamin Jancewicz</image:caption>
    </image:image>
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  <url>
    <loc>https://www.electricmarronage.com/electricblog/2020/7/8/a-fugitives-reflections</loc>
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    <lastmod>2020-07-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1594225920781-5Y857682J88E7KG4B49A/Twigs.jpg</image:loc>
      <image:title>Electric Blog - A Fugitive's Reflections - Actions:</image:title>
      <image:caption>a) To blur b) To blend c) To transcend</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/electricblog/2020/7/3/congratulationsdrfigueroa</loc>
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    <lastmod>2020-07-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1593796385918-DXDQSZO2Z4Z6L0FQGR5C/IMG_7725.jpg</image:loc>
      <image:title>Electric Blog - Cheers to Your Tenure: A Celebration of Dr. Yomaira Figueroa</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/electricblog/2020/6/23/race-resistance-and-the-rona</loc>
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    <priority>0.5</priority>
    <lastmod>2020-06-25</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1592954114360-CA2QTSATO5X23IFUTQGS/01MITnews_Eumelanin.jpg</image:loc>
      <image:title>Electric Blog - Race, Resistance, and the Rona</image:title>
      <image:caption>“A snapshot from a molecular dynamics simulation shows the geometric order and disorder characteristics of eumelanin aggregate structures.” Image courtesy of Chun-Teh Chen.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/electricblog/2020/6/20/come-celebrate-a-black-world</loc>
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    <lastmod>2020-06-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1592673050784-5S6WG74EY7KBJTOIRFV9/IMG_7621.JPG</image:loc>
      <image:title>Electric Blog - Come Celebrate a Black World</image:title>
      <image:caption>Palimpsest: Harvey Luksenburg, “Genovese Views the Black,” JHU News-Letter, April 14, 1970, p. 2 x Defend Black Women March, June 19, 2020 | @blkwomenradicals on Twitter</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1592681902284-FUGMOCFCVBJT5P43RBDO/image-asset.png</image:loc>
      <image:title>Electric Blog - Come Celebrate a Black World</image:title>
      <image:caption>“To steal again from Putney Swope, Frank Moorer is a jive nigger. At least from a (demonic) white point of view.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1592674341697-ZEXXDEJJ157X9WC84ZDS/D4_8PZlX4AELu-L.jpeg</image:loc>
      <image:title>Electric Blog - Come Celebrate a Black World</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1592674342254-FGH1YU0S21KJY36D5WRE/D4_8PZbXsAEi4WO.jpeg</image:loc>
      <image:title>Electric Blog - Come Celebrate a Black World</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1592674463813-29YWOOH7NR1RJIOFVQZL/D4_8PZbWsAE-Hvb.jpeg</image:loc>
      <image:title>Electric Blog - Come Celebrate a Black World</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1592674474978-9XKQWUT98KMIKL3AUHRQ/D4_8PZaWkAIZDLE.jpeg</image:loc>
      <image:title>Electric Blog - Come Celebrate a Black World</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1592673749313-MCFYKFF12W85Q6SEDWHN/Dc6uNXUUQAE1Q6w.jpeg</image:loc>
      <image:title>Electric Blog - Come Celebrate a Black World</image:title>
      <image:caption>You can view the Black Womanhood course syllabus here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1592674694379-EJSEEF019MJFKJZYVBPS/Devin_Allen_TIME_Covers.jpg</image:loc>
      <image:title>Electric Blog - Come Celebrate a Black World</image:title>
      <image:caption>Time Magazine from June 22/29 2020 and May 11, 2015. Cover images by Devin Allen, local Baltimore activist and photographer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1592675390533-LAVA33S2XYZ3UX02P7HM/EFPornsWsAEks5r.jpeg</image:loc>
      <image:title>Electric Blog - Come Celebrate a Black World</image:title>
      <image:caption>Black World Seminar, Fall 2019 | Credit: Jessica Marie Johnson</image:caption>
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  <url>
    <loc>https://www.electricmarronage.com/electricblog/2020/6/10/a-folk-manifesto-on-black-rage</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1591867105258-PM7HGALJIU8T6E1ZGV8I/fire.jpg</image:loc>
      <image:title>Electric Blog - a folk manifesto on black rage - engulf the world that seeks to destroy us</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/electricblog/2020/5/31/rule-3-what-does-it-feel-like-black-radicalism-and-embodied-movement</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2020-06-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1591037469925-03W2BOKIGQ4XVYTFMKYF/JasonAudain+-+Resurrection+at+Sorrow+Hill.jpeg</image:loc>
      <image:title>Electric Blog - Tell Me, What Does Freedom Feel Like? - Mas!</image:title>
      <image:caption>Masking is a carnival ritual that allows masqueraders to “talk-back” to the state order by adopting alternative identities, behaviours and gender expressions as a tool of resistance and expression of freedom.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1591567965367-LBOV0740EJRX7PMGRUQN/%40sbthecreator.jpeg</image:loc>
      <image:title>Electric Blog - Tell Me, What Does Freedom Feel Like?</image:title>
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      <image:title>Electric Blog - Tell Me, What Does Freedom Feel Like?</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1591039213068-M5YICXC57L13XLW7RZSK/TrinidadCarnival.png</image:loc>
      <image:title>Electric Blog - Tell Me, What Does Freedom Feel Like?</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1591040078587-G6PNCVC2Y1EL6XXRV7K9/dancehall2..jpg</image:loc>
      <image:title>Electric Blog - Tell Me, What Does Freedom Feel Like? - “Out and Bad”</image:title>
      <image:caption>“Out and bad” is a praxis of the Jamaican underclass that mocks notions of respectability. Rejecting social mores of “civilized” behaviour, badness is rooted displays of threatening and unabashed masculinity. To be “out and bad” is to participate in a public performance of revolt through acts of disruptions, glamour and confidence. [4]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1591040625085-RLBHZXOBALQNCZ7KEA8O/Atlanta+protests.jpeg</image:loc>
      <image:title>Electric Blog - Tell Me, What Does Freedom Feel Like?</image:title>
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      <image:title>Electric Blog - Tell Me, What Does Freedom Feel Like?</image:title>
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      <image:title>Electric Blog - Tell Me, What Does Freedom Feel Like?</image:title>
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      <image:title>Electric Blog - Tell Me, What Does Freedom Feel Like?</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1591466545040-FAYOK644LZG9WLJTZT2Y/Audre-Erotic.jpg</image:loc>
      <image:title>Electric Blog - Tell Me, What Does Freedom Feel Like? - Erotic</image:title>
      <image:caption>“the erotic” is the embodiment of what it means to feel in all of the self’s capacities.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1591467209997-9YWJP2L8MZ8T7HN65FVT/C90D5D49-91D5-43DA-A69C-6574399F6A53_1_201_a.jpeg</image:loc>
      <image:title>Electric Blog - Tell Me, What Does Freedom Feel Like?</image:title>
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      <image:title>Electric Blog - Tell Me, What Does Freedom Feel Like?</image:title>
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      <image:title>Electric Blog - Tell Me, What Does Freedom Feel Like?</image:title>
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    <loc>https://www.electricmarronage.com/electricblog/2020/6/4/rebellionwakework</loc>
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    <lastmod>2020-06-17</lastmod>
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      <image:title>Electric Blog - Rebellion as Wake Work: A Mad Black Gallery on Theft and Marronage</image:title>
    </image:image>
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      <image:title>Electric Blog - Rebellion as Wake Work: A Mad Black Gallery on Theft and Marronage</image:title>
    </image:image>
    <image:image>
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      <image:title>Electric Blog - Rebellion as Wake Work: A Mad Black Gallery on Theft and Marronage - Berkley students.</image:title>
      <image:caption>(Photo: Liz Hafalia, San Francisco Chronicle)</image:caption>
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      <image:title>Electric Blog - Rebellion as Wake Work: A Mad Black Gallery on Theft and Marronage - 1992 Rebellion.</image:title>
      <image:caption>(Photo: Justin Beck, The Chronicle)</image:caption>
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      <image:caption>(Photo: Liz Hafalia, San Francisco Chronicle)</image:caption>
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      <image:title>Electric Blog - Rebellion as Wake Work: A Mad Black Gallery on Theft and Marronage - toppled.</image:title>
      <image:caption>(Photo: Tom Levy, San Francisco Chronicle)</image:caption>
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    <image:image>
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      <image:caption>(Photo: John O'Hara, San Francisco Chronicle)</image:caption>
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      <image:title>Electric Blog - Rebellion as Wake Work: A Mad Black Gallery on Theft and Marronage - voicing.</image:title>
      <image:caption>(Photo: Associated Press)</image:caption>
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      <image:title>Electric Blog - Rebellion as Wake Work: A Mad Black Gallery on Theft and Marronage</image:title>
      <image:caption>(Photo: Carlos Schiebeck, AFP/Getty Images)</image:caption>
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      <image:title>Electric Blog - Rebellion as Wake Work: A Mad Black Gallery on Theft and Marronage - Charles Hakeem Coleman &amp;amp; his son, Kyle</image:title>
      <image:caption>(photo: AP)</image:caption>
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      <image:title>Electric Blog - Rebellion as Wake Work: A Mad Black Gallery on Theft and Marronage - de-privatizing property.</image:title>
      <image:caption>(Photo: Tom Levy, San Francisco Chronicle)</image:caption>
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    <image:image>
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      <image:title>Electric Blog - Rebellion as Wake Work: A Mad Black Gallery on Theft and Marronage - economic protest.</image:title>
      <image:caption>(photo: Associated Press)</image:caption>
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      <image:title>Electric Blog - Rebellion as Wake Work: A Mad Black Gallery on Theft and Marronage - black lives &amp;gt; property</image:title>
      <image:caption>(Photo: Brant Ward, San Francisco Chronicle)</image:caption>
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      <image:title>Electric Blog - Rebellion as Wake Work: A Mad Black Gallery on Theft and Marronage - unfreedom.</image:title>
      <image:caption>(Photo: Associated Press)</image:caption>
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      <image:title>Electric Blog - Rebellion as Wake Work: A Mad Black Gallery on Theft and Marronage - wake work: seekin' answers 4 the dead</image:title>
      <image:caption>(photo: J.B. Forbes, AP)</image:caption>
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      <image:title>Electric Blog - Rebellion as Wake Work: A Mad Black Gallery on Theft and Marronage - returning negativity to sender.</image:title>
      <image:caption>(photo: Robert Cohen, AP)</image:caption>
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      <image:title>Electric Blog - Rebellion as Wake Work: A Mad Black Gallery on Theft and Marronage - molotov cocktail attempt.</image:title>
      <image:caption>(photo Chris Lee, AP)</image:caption>
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      <image:title>Electric Blog - Rebellion as Wake Work: A Mad Black Gallery on Theft and Marronage - a refusal to disperse.</image:title>
      <image:caption>(photo: Chris Lee, AP)</image:caption>
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      <image:title>Electric Blog - Rebellion as Wake Work: A Mad Black Gallery on Theft and Marronage - state sanctioned abuse.</image:title>
      <image:caption>(photo: Jeff Roberson, AP)</image:caption>
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      <image:title>Electric Blog - Ida B. Wells: A Mini-Companion Reader</image:title>
      <image:caption>“It is an amazing honor for my great-grandmother Ida B Wells to be awarded a posthumous 2020 Pulitzer Prize Special Citation. She spent almost fifty years of her life fighting for justice. She did not have the right to vote until she was in her 50s. She had modest financial resources. So the only thing she had to fight against racist oppression and the violent practice of lynching, was the truth. Ida used journalism as a tool to fight for justice. She faced great danger and endured harsh criticism. Her printing press was destroyed. Her life was threatened. But she truly believed that by collecting names, dates, and circumstances around the lynchings that she could transform attitudes and impact policy and laws. The fact that she received this honor in 2020 is fitting. It is the centennial of the 19th Amendment and an election year. So all of her work is relevant in the context of where we are today in his historic moment.” —Michelle Duster, great-granddaughter of Ida B. Wells-Barnett</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1588692062353-6LF1WIBOS8SY4PRVIOSW/Ida-Bell-Wells-Barnett-1930.jpg</image:loc>
      <image:title>Electric Blog - Ida B. Wells: A Mini-Companion Reader - Ida B. Wells-Barnett Papers</image:title>
      <image:caption>Located at the University of Chicago (some of the papers are digitized)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1588692307997-FKM978BEZTDUKNI968MF/BarnettFamily1917.png</image:loc>
      <image:title>Electric Blog - Ida B. Wells: A Mini-Companion Reader</image:title>
      <image:caption>Barnett Family, 1917 (photograph in the U-Chicago Archives)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1588698918061-ZF46U5P3YGWO002E4S1Z/WELLS__IDA_B._GREAT_BLACK_FIGURE____0003A.3241.0.jpg</image:loc>
      <image:title>Electric Blog - Ida B. Wells: A Mini-Companion Reader</image:title>
      <image:caption>Image Source</image:caption>
    </image:image>
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  <url>
    <loc>https://www.electricmarronage.com/electricblog/2020/4/29/black-baltimore-through-the-photographs-of-john-clark-mayden</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1588257717637-B958I70UIG9FLW4S9TQD/GrannyandHerBible.png</image:loc>
      <image:title>Electric Blog - Black Baltimore Through the Photographs of John Clark Mayden</image:title>
      <image:caption>While choosing which photographs to place in the exhibit, the co-curator and I immediately agreed on this image. Granny and Her Bible, 1973. She sits reading her Bible by an open window during a hot day in Baltimore. She kicks the sheets to the end of the bed resting her foot on the blanket. Beside her, draped on the chair, is her work outfit, purse, and the Baltimore Sun newspaper. She rests here, and although she tries to “escape” into the Word she cannot avoid the gaze of her grandson’s camera.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/electricblog/2020/3/14/liberation-is-a-velocity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-04</lastmod>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/electricblog/2020/3/4/what-does-the-fictional-island-do-a-conjuring-cartography-companion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1583360452530-Q1DXJJZTZG1DVS5C7CF3/My+Post-20.png</image:loc>
      <image:title>Electric Blog - “What Does the Fictional Island Do?”: A Conjuring Cartography Companion</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1583422196664-QZMJBGWFPL3UHA7IWJTF/91aDB%2BEKlcL-2.jpg</image:loc>
      <image:title>Electric Blog - “What Does the Fictional Island Do?”: A Conjuring Cartography Companion</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1583422632888-7QK9HAJB8U7YKJAZLNPK/51S7LTrVCgL.jpg</image:loc>
      <image:title>Electric Blog - “What Does the Fictional Island Do?”: A Conjuring Cartography Companion</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1583422687221-AOWYGVPKMKNEO24XEEXF/510KJ%2B1vDVL._SX321_BO1%2C204%2C203%2C200_.jpg</image:loc>
      <image:title>Electric Blog - “What Does the Fictional Island Do?”: A Conjuring Cartography Companion</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1583423593697-VL3Q9JO68NKSOWY21RWM/91N543rzHZL.jpg</image:loc>
      <image:title>Electric Blog - “What Does the Fictional Island Do?”: A Conjuring Cartography Companion</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1583423928447-4FX4XAFBDXIEJRYV0V4R/51gn4gUBZfL.jpg</image:loc>
      <image:title>Electric Blog - “What Does the Fictional Island Do?”: A Conjuring Cartography Companion</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1583424053679-CD071XYLGTCXJWC31L7J/41JPNVD26SL._SX291_BO1%2C204%2C203%2C200_.jpg</image:loc>
      <image:title>Electric Blog - “What Does the Fictional Island Do?”: A Conjuring Cartography Companion</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/electricblog/2020/2/23/a-collective-of-insubordinates</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1582441459040-INW3S42OPHPLODDQH6AE/electricmarronage.jpg</image:loc>
      <image:title>Electric Blog - A Collective of Insubordinates</image:title>
      <image:caption>Isaiah Fergussoon</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/electricblog/2020/2/7/callin-on-the-ancestors-pt-1-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1581113479840-69JXZ2DMAJOD0BRUENW0/IMG_6772.JPG</image:loc>
      <image:title>Electric Blog - callin' on the ancestors pt. 1</image:title>
      <image:caption>hand-colored tintype portrait of three unidentified African American women, c. 1865 • source: Harvard Library</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/electricblog/2020/1/26/we-are-electric</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-24</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1580061051808-UQJTN5MLS8UBUKUB4P61/EM+Poster+2020+FINAL-2.png</image:loc>
      <image:title>Electric Blog - An Introduction: We Are Electric</image:title>
    </image:image>
  </url>
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    <loc>https://www.electricmarronage.com/electricblog/category/blog</loc>
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    <loc>https://www.electricmarronage.com/electricblog/category/interview</loc>
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    <loc>https://www.electricmarronage.com/electricblog/tag/thoughts</loc>
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    <loc>https://www.electricmarronage.com/electricblog/tag/Indigenous</loc>
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    <loc>https://www.electricmarronage.com/electricblog/tag/Native+women</loc>
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    <loc>https://www.electricmarronage.com/electricblog/tag/Solidarity</loc>
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    <loc>https://www.electricmarronage.com/electricblog/tag/Black</loc>
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    <loc>https://www.electricmarronage.com/electricblog/tag/Plains+Cree</loc>
    <changefreq>monthly</changefreq>
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  <url>
    <loc>https://www.electricmarronage.com/electricblog/tag/berries</loc>
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  <url>
    <loc>https://www.electricmarronage.com/electricblog/tag/Asian</loc>
    <changefreq>monthly</changefreq>
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  <url>
    <loc>https://www.electricmarronage.com/electricblog/tag/Electric+Marronage</loc>
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  <url>
    <loc>https://www.electricmarronage.com/electricblog/tag/Pacific</loc>
    <changefreq>monthly</changefreq>
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  <url>
    <loc>https://www.electricmarronage.com/electricblog/tag/sage</loc>
    <changefreq>monthly</changefreq>
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    <loc>https://www.electricmarronage.com/electricblog/tag/Caribbean</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
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  <url>
    <loc>https://www.electricmarronage.com/electricblog/tag/ancestors</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/electricblog/tag/knowledge</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/emarchive</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-07-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1691892962056-91N5P9VNNCM42CP8LLOG/image-asset.jpeg</image:loc>
      <image:title>Archive</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1691893176222-8922AN3FNNV6T9ATL67Y/image-asset.jpeg</image:loc>
      <image:title>Archive</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1691893240770-CESFGMVBQ0642VRQ2940/image-asset.jpeg</image:loc>
      <image:title>Archive</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1601858696733-55ZIURA3VPZUHLJ8FCOW/1.+how+do+you+escape.jpg</image:loc>
      <image:title>Archive</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1694382157818-U7VW05XNWOCBVPM511Q6/stop+-+1.png</image:loc>
      <image:title>Archive</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1694383012255-29WBY8GT90H6U5AARFR9/stop+-+2.png</image:loc>
      <image:title>Archive</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1664589098919-H4QBWE8XR00DGWPNCNAG/unsplash-image-a5PFIfTidCk.jpg</image:loc>
      <image:title>Archive - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/32c98930-ac38-41fb-96b2-2f528f0ecc10/11.png</image:loc>
      <image:title>Archive - SOLIDARITIES: Black Girlhood Conversations</image:title>
      <image:caption>Featuring a conversation with: Annette Joseph-Gabriel + Crystal Webster + Nazera Wright + Kabria Baumgartner + Aria Halliday + Habiba Ibrahim Thursday February 10, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1616202226097-NZAJVP3REY5P4QLX2VW0/maryam+de+capita+plurality.jpeg</image:loc>
      <image:title>Archive</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1616187119074-7FQUUYOOOPZPMFV89E1U/maryam+de+capita+autonomy.jpeg</image:loc>
      <image:title>Archive</image:title>
      <image:caption>“Maryam is an artist, mystic and entertainer. She’s the proprietor of Temple of Color and Sound, an itinerant gathering, ritual, and performance space. Maryam is sort of Republica’s official/unofficial ambassador. She’s been traveling about the world for the past few years. She is having fun, but misses home terribly.” - Kristina Kay Robinson</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1608046532564-BWBP8TPJGRTLLZ3J12KV/ballesta_9_20201215_101603_0.jpeg</image:loc>
      <image:title>Archive</image:title>
      <image:caption>Virtual Gallery En tiempos de pandemia "Adal, Mayra y yo, conspirando" Ballesta 9 ©2o2o</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1590610267483-QJA5M2H7R6K7TDQNB1SI/ThinSpaces_AB-1+schaun+champion.jpg</image:loc>
      <image:title>Archive - Schaun Champion</image:title>
      <image:caption>Schaun is a Baltimore based natural light photographer, filmmaker and instructor who specializes in portraiture, fine art and cultural documentary work. Using both analog and digital cameras, she’s inspired by film, music and all things vintage. She creates intentionally cinematic and honest imagery that illustrates the drama within the familiar while exploring themes of diversity and nostalgia. She’s worked with a wide range of subjects, from Oscar nominated cinematographer, Bradford Young, fashion designer, Bishme Cromartie, several public figures like D.Watkins, reality tv stars, independent/grammy winning musicians, as well as friends, family, and strangers on the streets around the world. Her journeys have led her to develop the youth travel photography program, A Looking Glass Project. A program dedicated to helping underrepresented youth of Baltimore gain their passports to travel domestically and internationally while developing their visual art skills. She’s currently partnered with Morgan State University to bring photography education to the Youth Arts Institute. Additionally, her work has been featured in Cultured Magazine, The New York Times, Essence, American Cinematographer Magazine, BmoreArt, Travel Noire, Baltimore Beat, The Afro, Roc Nation, Blavity, xoNecole, Salon, Bustle, The Baltimore Sun, Soulbounce, TheBmoreCreatives and more. Explore the artist and the work: https://schaunchampion.com/</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1514438313960-177D8X43TARJK3R27G4P/2015-08-21+13.48.32.png</image:loc>
      <image:title>Archive - To escape is to abscond…</image:title>
      <image:caption>to leave hurriedly and discretely, to avoid detection or arrest. def to be liminal, ephemeral, transient to be dissolute, wayward, recalcitrant to queer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1514437994991-KISTYWO9YN3U82C224I4/YFtypwriter</image:loc>
      <image:title>Archive - start here...</image:title>
      <image:caption>light a candle. play a record. burn palo santo. sit at the typewriter and write. steal a few minutes. thief memories. pull bloodied poems from swollen kidneys. tear away at kindness, softness. type every other word that comes until you smell freedom.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1664589274318-FS39M8D4Q9MRUWOQ6F75/unsplash-image-7ne3hNnojvU.jpg</image:loc>
      <image:title>Archive - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/139f2989-a36b-421e-82e6-2b653d6a80ce/20.png</image:loc>
      <image:title>Archive - SOLIDARITIES: anarchy</image:title>
      <image:caption>A conversation with: Theresa Warburton + Jorell Melendez Badillo + William C. Anderson. Friday March 11, 2022 Watch the event below. Available until April 15, 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1623902177638-CCRIU9Y9DWXHLN1J4JTK/%22Yankee+Go+Home%22+is+displayed+on+a+vehicle+during+a+protest+against+U.S.+mainland+tourist+arriving+from+coronavirus+hot+zones+outside+Luis+Munoz+Airport+in+San+Juan%2C+Puerto+Rico%2C+on+July+25%2C+2020.+Xavier+Garcia%E2%80%94Bloomberg%2FGetty+Images</image:loc>
      <image:title>Archive - guía para dejar un país sin techo</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1608046866127-OOHWAUX520PMH2O81FED/ballesta_9_20201215_101821_0.jpeg</image:loc>
      <image:title>Archive - Virtual Gallery En tiempos de pandemia "Finca Yagrumo" Ballesta 9 ©2o2o</image:title>
      <image:caption>Virtual Gallery En tiempos de pandemia "Finca Yagrumo" Ballesta 9 ©2o2o</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1601660985935-HRI69NFWN9I3OOR7OKYK/ruffle-hem-wrapped-dress-pattern-b-778x519%402x.jpg</image:loc>
      <image:title>Archive</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1601661528458-UB0JTIPH2DOG7933EDYU/mask.png</image:loc>
      <image:title>Archive</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1601661471765-RN3J2G7D2C616Q15P3SU/Sewing+Patterns.png</image:loc>
      <image:title>Archive</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1601661899630-RTNF7PUYQ5V8LRZWWWUV/mesh-shorts-layout-guide.png</image:loc>
      <image:title>Archive</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1601662114624-BF0AGMRBDS28W7XS8HFM/loot.png</image:loc>
      <image:title>Archive</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1601662298613-L9BDELHETC4Q94KZGTM7/Marquise+Mays.png</image:loc>
      <image:title>Archive</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1590610777405-8IGC38BGI26OXGS19OGH/IMG_3177+shan+wallace.jpeg</image:loc>
      <image:title>Archive - Shan Wallace</image:title>
      <image:caption>SHAN Wallace (b. 1991) is a nomadic award-winning visual artist, photographer, educator and freedom fighter from East Baltimore, MD. Inspired by the harsh racial, social and economic realities of her surroundings in Baltimore, SHAN learned about the importance of service, the power of collaboration and the effects of social change at an early age. Now, she uses her lens, collage and in situ installations as the basis of her work, demonstrating the cultural and political narratives of black life, confronting oppressive politics and histories within communities of the African diaspora, and challenging ideas surrounding existing collections, culture and archives of Blackness. Much of SHAN Wallace's work is focused on the Archive-- its history of development, challenges of the modern Archive, Archive as Artwork and how to ethically accumulate primary source documents. SHAN has received recognition from publications like the Baltimore Beat for 'Best Solo Show', the City Paper for 'Best Photographer', and the Association of Health Care Journalists' awarded her '2nd Place - Small Outlet Feature' for her photojournalism piece “Losing Conner’s Mind” in the Atavist Magazine. Her work has received widespread support from publications like The Daily Beast, Essence Magazine, Black Entertainment Television (BET), the Washington Post, the Baltimore Sun, the Baltimore City Paper, VICE, Red Bull Amaphiko, The Charlotte Observer and The New York Times. SHAN's work is in both public and private collections across the US. She has exhibited work internationally in galleries and museums including Okay Space Gallery in New York, NY, We Rise in Los Angeles, CA, Elsewhere museum in Greensboro, NC, the New Gallery of Modern Art in Charlotte, NC, the Mariano Arts Center in Havana, Cuba and Maryland’s the Reginald F. Lewis Museum, The Contemporary and Prince George’s African American Museum and Cultural Center. SHAN lives and works in many spaces between Los Angeles, CA and Baltimore, MD. Explore the artist and the work: http://blacksandblues.com/</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1580225104154-918P7DX4T1Z0QLCKDE7S/EMRule2wordcloud.jpg</image:loc>
      <image:title>Archive</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1514438699437-5ZU1MGHQ1KLFJ4O9CPWG/https%253A%252F%252F40.media.tumblr.com%252F73e95b37c66ea5a7c32192379e59df0a%252Ftumblr_noohzoy3Gz1tkfea0o6_1280.png</image:loc>
      <image:title>Archive</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1514517451649-CP4QFOC99HSJ7FUCJZ5T/Screenshot_2015-09-01-15-24-06_preview.png</image:loc>
      <image:title>Archive</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1514517644653-0TVWJIDPSCULS27G1NWI/carrie+mae+weems+portait+of+a+woman+who+has+fallen+from+grace_preview.jpg</image:loc>
      <image:title>Archive</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1664589193901-KP5CZK0N3RJTK4TKDZRB/unsplash-image-TbEf3aIybcs.jpg</image:loc>
      <image:title>Archive - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/52dc523d-1fe3-44a5-bec2-7d1263cf83b1/2.png</image:loc>
      <image:title>Archive - BOOK TALK: Toward Camden and Magical Habits</image:title>
      <image:caption>Reflections on intimate writing, mixed genre memoir, and the practice of writing Boricua and Chicana lives. Featuring: Mercy Romero and Monica Huerta. Friday April 1, 2022</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1618450575285-Z0FCGTQDJSAXJ5DMF0C3/revolutionary+mothering.jpeg</image:loc>
      <image:title>Archive</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1601658671384-NM6W4FEKBYSFHC3QJJ9D/3.+what+does+it+feel+like-1.jpg</image:loc>
      <image:title>Archive</image:title>
      <image:caption>José Ballester En Tiempos de Pandemia</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1590611406617-UVU8WWVZK8PF8PFN1TYD/1_Merriweather_SHININ_2.jpg</image:loc>
      <image:title>Archive - Murjoni Merriweather</image:title>
      <image:caption>As a black woman artist from Maryland, Murjoni has found that the best way to create and talk about moments of black bodies is through art, especially claywork. As a student from the Maryland Institute College of Art (MICA), Murjoni creates sculpted beings that are based around real people and real experiences. Her work addresses and eliminate stereotypes through clay portraits and video work. With this, she enjoys going against the European standards of “beauty” that are placed upon people of color. (light skin, petite figure,etc.), and normalizing what is natural about black bodies; loving and accepting them as they come. Through the artwork, connections and reflections with herself and others based on shared experiences. Continuing her craft, she plans to continue eliminating stereotypes and prejudices while uplifting the black community. For questions and sculpture inquires please contact karlos@cmpndgroup.com Explore the work and the artist here: https://www.mvrjoni.com/</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1580053022698-TGAZ33I5RGSRFGKW10XE/leiomylying.jpg</image:loc>
      <image:title>Archive - “I believe with voguing</image:title>
      <image:caption>you can do and be whatever you want to be and there’s no specific rules. Whatever emotions you feel you can find a way to let it out through your dance. With voguing you’re able to tell stories and you’re able to express yourself in ways that maybe you can’t through words and for me that’s something that intrigued me with voguing is the fact that I was able to deal with myself and find myself as a woman of trans experience.” —Leiomy Maldonado</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1514439618585-ZZ9MKC4LNDR9LB6HWS34/https%253A%252F%252F40.media.tumblr.com%252Fd0657854bcec614be30d3b7e2c8cc19b%252Ftumblr_ng4mqsqwsD1qh1zf9o1_1280.jpg</image:loc>
      <image:title>Archive - Black Joy...</image:title>
      <image:caption>Black joy. Cutting through the wind with chocolate legs. Tumbling toward liberation. Singing about Summer Breeze. Blades between toes, under nails. Collapse into the lap of the hill. What was that instrument?</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1580054671985-7GC35KN3MDGR2OR4PMTF/EKq84ndWwAA2Edw.jpeg</image:loc>
      <image:title>Archive - Jessica Spence,, Braids and Barrettes</image:title>
      <image:caption>“I remember my mom braiding my hair before school each day. She usually styled it in three to five big braids adorned with colorful barrettes and those “bubble” hair ties. That was one of my signature looks growing up…One of our traditions [was] me gathering my wide-tooth comb, a brush, barrettes, hair grease, and any other hair accessories that could style my hair. It was our routine and a time of bonding [that was] filled words of encouragement from my mother.”</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1549816910538-PNNWRX4EX8VTGSE4QZYF/Mart_Biemans_Resting_Place.gif</image:loc>
      <image:title>Archive</image:title>
      <image:caption>Mart Biemans, Resting Place</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1664589336915-JA2047LM1JJDX6AB0RZS/unsplash-image-wnF27F85ZKw.jpg</image:loc>
      <image:title>Archive - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/cbf759bb-4b82-4677-aa09-4ebebe2d2d23/Treva+Lindsey+cover+.jpeg</image:loc>
      <image:title>Archive - America, Goddam: Violence, Black Women, and The Struggle for Justice</image:title>
      <image:caption>Please join Taller Electric Marronage and the JHU Center for Africana Studies for an evening with Dr. Treva B. Lindsey to discuss her new book AMERICA GODDAM: Violence, Black Women, and the Struggle for Justice (UC Press, 2022) Monday, May 16, 2022 Time: 5pm to 7pm EST CLICK THE LINK: bit.ly/EMAmericaGoddam Book available here.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1608047125102-YEX1A5YESWHFS6KWAFQI/ballesta_9_20201215_101945_0.jpeg</image:loc>
      <image:title>Archive</image:title>
      <image:caption>Virtual Gallery En tiempos de pandemia "Buscando en la botánica" Ballesta 9 ©2o2o</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1602774437117-H2GGUFLVC2MGLFWHN1MV/3-Exhibition_Backflip.jpg</image:loc>
      <image:title>Archive</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1590611704378-CUQ37SIYRISNAZYTHO8O/joyce+scott+.jpg</image:loc>
      <image:title>Archive - Joyce J. Scott</image:title>
      <image:caption>Joyce Jane Scott was born in 1948 in Baltimore, Maryland, where she lives and works. She works in many mediums including jewelry, sculpture, quilting, performance and installation. She is best-known for her intricate beadwork that she uses as a potent platform for confrontational commentary on social and political injustices. She received a BFA from the Maryland Institute College of Art in 1970 and an MFA from the Instituto Allende in San Miguel de Allende, Mexico, in 1971. Her first artworks emerged in the early 1970s, which she made with her mother, renowned fiber artist and quilt maker, Elizabeth Talford Scott. Using fiber, beads, wire, thread, and other mixed media, the strands of Scott’s urban, multi-ethnic African-American, female identity and experience unite in her art. She continues to push the expressive potential of beading and the medium’s preconceived notions addressing themes of racism, sexism, and violence. Recently, she combined her bead practice with Murano glass, as shown in her seminal work Sex Traffic (2014), which is characteristically layered with meaning; the blown-glass totem in the shape of a musket is exaggerated by a beaded figure tied to its barrel with leather cuffs. She has held the retrospective exhibitions at The Baltimore Museum of Art and the Maryland Institute College of Art (2000); an updated, smaller solo show entitled Kickin’ It with Joyce J. Scott toured ten US museums (2005- 2007); Museum of Arts and Design (2013), New York; Museum of Contemporary Art Cleveland (2015); was featured in Glasstress(2013), Venice; and exhibited at Philadelphia Museum of Art (2015). She received the Baker Award (2016), Baltimore, and the MacArthur Foundation “Genius” Fellowship (2016). Explore the work and the artist here: http://glasstress.org/</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1582502505335-GC2ZGPUYZ1MLK5ZFNOQ2/WillowSprings__MamaDay.jpg</image:loc>
      <image:title>Archive</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1582502235866-7W6MXXS6MVQ1234CB7NS/SapphiraWade__BillofSale__NaylorMamaDay.jpg</image:loc>
      <image:title>Archive</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1582502419014-QB3R1EZTKGK55FSUOWJM/SapphiraWadefamily__MamaDay.jpg</image:loc>
      <image:title>Archive</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1514891320804-FN7AWKCVW4AAHL5JZ03U/2015-08-17%2B08.44.57.jpg</image:loc>
      <image:title>Archive - water</image:title>
      <image:caption>will call you by your ancient name, and you will answer because you will not have forgotten. water always remembers. (m. jacqui alexander, pedagogies of crossing)</image:caption>
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  </url>
  <url>
    <loc>https://www.electricmarronage.com/new-gallery-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-02-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1581106701353-NVMNKHMM24JA5RWROETM/IMG_6772.JPG</image:loc>
      <image:title>Mama Day</image:title>
      <image:caption>Hand-colored tintype portrait of three unidentified African American women, c. 1865. Source: Harvard Library</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1581106701353-NVMNKHMM24JA5RWROETM/IMG_6772.JPG</image:loc>
      <image:title>Mama Day</image:title>
      <image:caption>Hand-colored tintype portrait of three unidentified African American women, c. 1865. Source: Harvard Library</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1581106741212-3U2RBYBHRDH2VZVH7158/ebo-landing.jpg</image:loc>
      <image:title>Mama Day - Ebo-Landing</image:title>
      <image:caption>Weems, Carrie Mae. Ebo Landing. Sea Islands 1991-1992. http://carriemaeweems.net/galleries/sea-islands.html.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1581106870876-ED7DYIAUY4LJ7GT46ULZ/Carrie+Mae+Weems-Sea+Island.jpg</image:loc>
      <image:title>Mama Day - bone yard</image:title>
      <image:caption>Weems, Carrie Mae. Bone Yard. Sea Islands, 1991-1992. http://carriemaeweems.net/galleries/sea-islands.html</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1581106900283-9OJREL0QC2QR3ILXENE1/Daughters+of+the+dust.jpg</image:loc>
      <image:title>Mama Day</image:title>
      <image:caption>Dash, Julie. Daughters of the Dust. 1991.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1581107233683-G4VFBK6CQFAUWQ6PICR0/Silver+Dimes.jpg</image:loc>
      <image:title>Mama Day</image:title>
      <image:caption>http://southboundproject.org/photographer/bill-steber/</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/new-gallery</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1582502505335-GC2ZGPUYZ1MLK5ZFNOQ2/WillowSprings__MamaDay.jpg</image:loc>
      <image:title>Gill-Sadler's imaginaries + paths</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1582502505335-GC2ZGPUYZ1MLK5ZFNOQ2/WillowSprings__MamaDay.jpg</image:loc>
      <image:title>Gill-Sadler's imaginaries + paths</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1582502235866-7W6MXXS6MVQ1234CB7NS/SapphiraWade__BillofSale__NaylorMamaDay.jpg</image:loc>
      <image:title>Gill-Sadler's imaginaries + paths</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1582502419014-QB3R1EZTKGK55FSUOWJM/SapphiraWadefamily__MamaDay.jpg</image:loc>
      <image:title>Gill-Sadler's imaginaries + paths</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/jcm</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-05-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1588263798165-BWMN4MTZ842TRR2S4UG1/2_while-waiting-east-fayette-street-2008-768x1024-1-2.jpg</image:loc>
      <image:title>JCM</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1588263663642-FMNM82UJBRB0XBZ6DELW/book-28-family-JH2018_5_4_03-gallery.jpg</image:loc>
      <image:title>JCM - Family, 1972</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1588263798165-BWMN4MTZ842TRR2S4UG1/2_while-waiting-east-fayette-street-2008-768x1024-1-2.jpg</image:loc>
      <image:title>JCM</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1588263663640-K1L2J9RYH9YY5TKR2759/book-32-untitled-woman-and-child-1977-gallery.jpg</image:loc>
      <image:title>JCM - Untitled, 1977</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1588263665160-KDW2W6HOI8M921RKTEKV/book-56-condition-gallery.jpg</image:loc>
      <image:title>JCM - Condition, 1972</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1588263664947-FU6MCL61SD715S8M9IWQ/book-61-scenic-trolley-ride-JH2018_5_5_47-gallery.jpg</image:loc>
      <image:title>JCM - Scenic Trolley Ride, 1985</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1588263665784-IN7D5A22V8DIT5BVISQ7/rejuvenation-feature-2.jpg</image:loc>
      <image:title>JCM - Rejuvenation, 1975</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1588263813839-3R9ZM56FWSTZIMZ0FAQS/2_while-waiting-east-fayette-street-2008-768x1024-1-2.jpg</image:loc>
      <image:title>JCM - While Waitin', 2008</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/ida-b-wells</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-05-05</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5a43ff57ccc5c504cd257d41/t/5eb19cfe0a8f9e414ba2e46e/1588694387972/</image:loc>
      <image:title>Ida B Wells</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5a43ff57ccc5c504cd257d41/5eb18b12f2f87343b09dad88/5eb18d73f2f87343b09e3992/1588694387972/</image:loc>
      <image:title>Ida B Wells</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1588694838738-7WOUY3ZKZU9H1L53HJMH/14192320_f520.jpg</image:loc>
      <image:title>Ida B Wells - Southern Horrors: Lynch Law in All Its Phases (1892)</image:title>
      <image:caption>“The Afro-American papers are the only ones which will print the truth, and they lack means to employ agents and detectives to get at the facts. The race must rally a mighty host to the support of their journals, and thus enable them to do much in the way of investigation.” Read Southern Horrors here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1588697884660-BN6EKVXANM44HJOCCOP8/Red-Record.jpg</image:loc>
      <image:title>Ida B Wells - Red Record (1895)</image:title>
      <image:caption>“The object of this publication is to tell the facts, and friends of the cause can lend a helping hand by aiding in the distribution of these books. When I present our cause to a minister, editor, lecturer, or representative of any moral agency, the first demand is for facts and figures. Plainly, I can not then hand out a book with a twenty-five-cent tariff on the information contained. This would be only a new method in the book agents' art. In all such cases it is a pleasure to submit this book for investigation, with the certain assurance of gaining a friend to the cause.” Read The Red Record here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1588698037873-AXNIQLO10NR9C901HFKL/978-0-226-89344-0-frontcover.jpg</image:loc>
      <image:title>Ida B Wells - Crusade for Justice: The Autobiography of Ida B. Wells</image:title>
      <image:caption>“Ida B. Wells (1862-1931) was one of the foremost crusaders against black oppression. This engaging memoir tells of her private life as mother of a growing family as well as her public activities as teacher, lecturer, and journalist in her fight against attitudes and laws oppressing blacks.” "No student of black history should overlook Crusade for Justice."—William M. Tuttle, Jr., Journal of American History Read more here.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/ida-b-wells-secondary</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-05-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1588699891600-5IPECUGUHFNBI2VSB58A/image-asset.jpeg</image:loc>
      <image:title>Ida B Wells Secondary - To Tell the Truth Freely: The Life of Ida B. Wells (2010) | Mia Bay</image:title>
      <image:caption>“Born to slaves in 1862, Ida B. Wells became a fearless antilynching crusader, women's rights advocate, and journalist. Wells's refusal to accept any compromise on racial inequality caused her to be labeled a "dangerous radical" in her day but made her a model for later civil rights activists as well as a powerful witness to the troubled racial politics of her era. Though she eventually helped found the NAACP in 1910, she would not remain a member for long, as she rejected not only Booker T. Washington's accommodationism but also the moderating influence of white reformers within the early NAACP. In the richly illustrated To Tell the Truth Freely, the historian Mia Bay vividly captures Wells's legacy and life, from her childhood in Mississippi to her early career in late-nineteenth-century Memphis and her later life in Progressive-era Chicago.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1588699891600-5IPECUGUHFNBI2VSB58A/image-asset.jpeg</image:loc>
      <image:title>Ida B Wells Secondary - To Tell the Truth Freely: The Life of Ida B. Wells (2010) | Mia Bay</image:title>
      <image:caption>“Born to slaves in 1862, Ida B. Wells became a fearless antilynching crusader, women's rights advocate, and journalist. Wells's refusal to accept any compromise on racial inequality caused her to be labeled a "dangerous radical" in her day but made her a model for later civil rights activists as well as a powerful witness to the troubled racial politics of her era. Though she eventually helped found the NAACP in 1910, she would not remain a member for long, as she rejected not only Booker T. Washington's accommodationism but also the moderating influence of white reformers within the early NAACP. In the richly illustrated To Tell the Truth Freely, the historian Mia Bay vividly captures Wells's legacy and life, from her childhood in Mississippi to her early career in late-nineteenth-century Memphis and her later life in Progressive-era Chicago.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1588700016438-7PQHOQX9RXEEFIN86TP4/51LssSSvnDL.jpg</image:loc>
      <image:title>Ida B Wells Secondary - Ida: A Sword Among Lions | Ida B. Wells and the Campaign Against Lynching | Paula J. Giddings (2008)</image:title>
      <image:caption>“In this eagerly awaited biography by Paula J. Giddings, author of the groundbreaking book When and Where I Enter, which traced the activist history of black women in America, the irrepressible personality of Ida B. Wells surges out of the pages. With meticulous research and vivid rendering of her subject, Giddings also provides compelling portraits of twentieth-century progressive luminaries, black and white, with whom Wells worked during some of the most tumultuous periods in American history. Embattled all of her activist life, Wells found herself fighting not only conservative adversaries but icons of the civil rights and women’s suffrage movements who sought to undermine her place in history. In this definitive biography, which places Ida B. Wells firmly in the context of her times as well as ours, Giddings at long last gives this visionary reformer her due and, in the process, sheds light on an aspect of our history that is often left in the shadows.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1588700029096-MGE9SUCPJI32L8M1V29F/41PvvIJXPCL._SX331_BO1%2C204%2C203%2C200_.jpg</image:loc>
      <image:title>Ida B Wells Secondary - The Memphis Diary of Ida B. Wells (1995) | Miriam Decosta-Willis (editor)</image:title>
      <image:caption>“Published for the first time in its entirety, The Memphis Diary of Ida B. Wells tracks the young Ida through her transition from schoolteacher to a fearless crusader against lynching in the late 19th century. This unique document provides rare insight into the lives of 19th-century African-American women. Features a foreword by Mary Helen Washington.”</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/afrofuturism</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-05-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1589492899671-TBRSJRUJHDSIS02N3DK6/image-asset.jpeg</image:loc>
      <image:title>Afro-Futurism - "The Comet" by W.E.B Du Bois</image:title>
      <image:caption>This science fiction short story by Du Bois in The Darkwater: Voices from Within the Veil.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1589492899671-TBRSJRUJHDSIS02N3DK6/image-asset.jpeg</image:loc>
      <image:title>Afro-Futurism - "The Comet" by W.E.B Du Bois</image:title>
      <image:caption>This science fiction short story by Du Bois in The Darkwater: Voices from Within the Veil.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1589493203609-49T59F7QKAOIWI2VBCFN/Kindred.jpg</image:loc>
      <image:title>Afro-Futurism - Kindred, Octavia Butler (1979)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1589493321186-NO2O3OB5QQVHG8LZTGSN/414avUIZGvL._SX303_BO1%2C204%2C203%2C200_.jpg</image:loc>
      <image:title>Afro-Futurism - Parable of the Sower, Octavia E. Butler (1993)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1589493413391-SU1380C62PMCE61DH9GD/51u34tz6dpL.jpg</image:loc>
      <image:title>Afro-Futurism - How Long 'til Black Future Month?, N.K. Jemisin (2018)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1589493840732-NXM0HZ2OCP05911PEVQS/91fcz8dowaL.jpg</image:loc>
      <image:title>Afro-Futurism - Octavia's Brood: Science Fiction Stories from Social Justice Movements, Adrienne Maree Brown and Walidah Imarisha (editors), 2015,</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/new-gallery-2</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-05-18</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5a43ff57ccc5c504cd257d41/t/5ec2b517a4a0d935591704e2/1589816159844/</image:loc>
      <image:title>En Tiempos De Pandemia/Remedios Caseros</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5a43ff57ccc5c504cd257d41/5ec2a9e11e04fe1214f322fd/5ec2ab5f333ee31ee5a35768/1589816159844/</image:loc>
      <image:title>En Tiempos De Pandemia/Remedios Caseros</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1589816232405-A23JB28O92CWR50689Q3/guelepanti1.jpg</image:loc>
      <image:title>En Tiempos De Pandemia/Remedios Caseros - Guele Pantis 1, 2020</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1589816237753-HFCXO6VIMTQYVSXE01DK/guelepanti2.jpg</image:loc>
      <image:title>En Tiempos De Pandemia/Remedios Caseros - Guele Pantis 2, 2020</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1589817064772-2X2YECYRJONGFQ7HVO6Z/guelepanti3.jpg</image:loc>
      <image:title>En Tiempos De Pandemia/Remedios Caseros - Guele Pantis 3, 2020</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1589816250243-SYFT80LMWPHSX91BSB2G/wrap1.jpg</image:loc>
      <image:title>En Tiempos De Pandemia/Remedios Caseros - Wrap 1, 2020</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1589816255597-1XAJQHLNR2U1MTCH72LR/wrap3.jpg</image:loc>
      <image:title>En Tiempos De Pandemia/Remedios Caseros - Wrap 3, 2020</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1589816253511-7BNUXMCHN5I7K8UHED2L/WRAP7.jpg</image:loc>
      <image:title>En Tiempos De Pandemia/Remedios Caseros - Wrap 7, 2020</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1589816256899-0FUF7MJ8UUDY9V9QQBTQ/wrap14.jpg</image:loc>
      <image:title>En Tiempos De Pandemia/Remedios Caseros - Wrap 14, 2020</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1589816259628-8V35GPNMA0VRUJA5JSUI/wrap16.jpg</image:loc>
      <image:title>En Tiempos De Pandemia/Remedios Caseros - Wrap 16, 2020</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1589816261199-8WM7JQF4VOAR87F8754I/wrap17.jpg</image:loc>
      <image:title>En Tiempos De Pandemia/Remedios Caseros - Wrap 17, 2020</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/new-gallery-3</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-05-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1589818478232-6B5KZAWOIR4GWBZUMN4D/causticasderio.jpg</image:loc>
      <image:title>Cimarrona: Hija de Oshún - Causti Casderio, 2020</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1589818478232-6B5KZAWOIR4GWBZUMN4D/causticasderio.jpg</image:loc>
      <image:title>Cimarrona: Hija de Oshún - Causti Casderio, 2020</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1589818477703-5JGHWE94NGYFKP95OINY/causticasderio2.jpg</image:loc>
      <image:title>Cimarrona: Hija de Oshún - Causti Casderio, 2020</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1589818481240-ELMTIMHO3WUPUX5WHVKE/hijadelrio.jpg</image:loc>
      <image:title>Cimarrona: Hija de Oshún - Hija Del Rio, 2020</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/new-gallery-4</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-05-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1590164273558-ILN4OUKDEMB5FGC6L2IM/quiliting.jpg</image:loc>
      <image:title>Quilts - Amanda Gordon, Diane Wright Smith, Shelby Wright, Sammy Wright, and John Henry Wright, home of Amanda Gordon, 10536 Fisher Ferry Road, Warren County, Mississippi, 1975</image:title>
      <image:caption>From William Ferris, “The South in Color”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1590164273558-ILN4OUKDEMB5FGC6L2IM/quiliting.jpg</image:loc>
      <image:title>Quilts - Amanda Gordon, Diane Wright Smith, Shelby Wright, Sammy Wright, and John Henry Wright, home of Amanda Gordon, 10536 Fisher Ferry Road, Warren County, Mississippi, 1975</image:title>
      <image:caption>From William Ferris, “The South in Color”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1590129108726-ABOQ0EUTZ9A9A2OQMOCX/image-asset.jpeg</image:loc>
      <image:title>Quilts - Amanda Gordon, Diane Wright Smith, Shelby Wright, Sammy Wright, and John Henry Wright, home of Amanda Gordon, 10536 Fisher Ferry Road, Warren County, Mississippi, 1975</image:title>
      <image:caption>from William Ferris, “The South in Color”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1590129047297-M0AQGMQ9C6HDL58SBQMG/Pettway%2BLorett_1960.jpg</image:loc>
      <image:title>Quilts - Four-Block Strip Quilt by Loretta Pettway, 1960</image:title>
      <image:caption>Souls Grown Deep Foundation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1590129479010-RQLVIJIRNAHUZBWXWMSP/Quilt.jpg</image:loc>
      <image:title>Quilts - Blocks, strips, strings, and half-squares by Mary Lee Ben Dolph</image:title>
      <image:caption>Collection of: Philadelphia Museum of Art museum purchase and gift of the Souls Grown Deep Foundation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1590165290966-9HFDJ0DMX27QHA3FYVKY/faithringgold.jpg</image:loc>
      <image:title>Quilts - The Sunflower Quilting Bee at Arles, 1996 by Faith Ringgold</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/altaring</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-10-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1591372978724-8PPJD7I1XI4ZEBVA2EEL/Mirror+of+Drummond.jpg</image:loc>
      <image:title>Altaring - "Mirror of Drummond"</image:title>
      <image:caption>Link</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1591372978724-8PPJD7I1XI4ZEBVA2EEL/Mirror+of+Drummond.jpg</image:loc>
      <image:title>Altaring - "Mirror of Drummond"</image:title>
      <image:caption>Link</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1591372874857-FW06BQVCVZRGS2F8AS18/image-asset.jpeg</image:loc>
      <image:title>Altaring - James River 2.30.20 | Mary Anna Richardson Hartley</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1591373184977-ZNWJ6IRRFHD9OHJOUP99/image-asset.jpeg</image:loc>
      <image:title>Altaring - "Swamp Goo"</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1591373333136-QDG228CGYNLFE9NB5FUQ/image-asset.jpeg</image:loc>
      <image:title>Altaring - "Swampy"</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1591373440700-EV3QD8P6ZEFN1TU8UEVV/Cypress+Roots%2C+Eastern+Edge+of+Lake+Drummond%2C+Near+Norfolk%2C+VA.jpg</image:loc>
      <image:title>Altaring - Cypress Roots, Eastern Edge of Lake Drummond, Near Norfolk, VA</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1591373525073-UL408INZG25SDY4EO3RN/%E2%80%9CLake+Drummond+Great+Dismal+Swamp%E2%80%9D.jpg</image:loc>
      <image:title>Altaring - “Lake Drummond Great Dismal Swamp”</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1591373625725-5892Y1FLCN7RBNGUSRAL/Bald+Cypress+trees%2C+Lack+Drummond%2C+at+Great+Dismal+Swamp+National+Wildlife+Refuge+in+Virginia%2522.jpg</image:loc>
      <image:title>Altaring - Bald Cypress trees, Lack Drummond, at Great Dismal Swamp National Wildlife Refuge in Virginia</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1591373784029-HD8WPH87R27KJBO63HMH/4288725587_4bb33ce8ef_b.jpg</image:loc>
      <image:title>Altaring - “Frozen Swamp Goo”</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1591372455848-UMOQCQQ67UJD5S5VXXAS/image-asset.jpeg</image:loc>
      <image:title>Altaring - Cabin Pond | Photographer: Vanessa M. Holden</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1591372510880-Q1DV3EH4MJ5RVPZ5EIUU/image-asset.jpeg</image:loc>
      <image:title>Altaring - Cabin Pond | Vanessa M. Holden</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1591372803500-22KGMENXLR96YB0J5GO6/commonwealth_mc87rm868.jpg</image:loc>
      <image:title>Altaring - Page 3, The Liberator, September 3, 1831</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1591372674628-1GU5PW3QNHF3DJCHRNI2/Vernacular+Curation.jpeg</image:loc>
      <image:title>Altaring - Vernacular Curation | Vanessa M. Holden</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1591372717240-6FW00DDYVIF6E0NA3H8V/Remains+of+Cypress+Bridge+on+the+Nottoway+River.jpeg</image:loc>
      <image:title>Altaring - Remains of Cypress Bridge on the Nottoway River | Vanessa M. Holden</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1591372605650-2IO34SXRWI63WUCEDT6T/Vernacular+Curation+2.jpeg</image:loc>
      <image:title>Altaring - Vernacular Curation 2 | Vanessa M. Holden</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1591372548305-ZH02FGALI3X35DO7O1PE/Native+Oak%2C+Southampton.jpeg</image:loc>
      <image:title>Altaring - Native Oak, Southampton | Vanessa M. Holden</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/new-gallery-5</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-06-11</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5a43ff57ccc5c504cd257d41/t/5ee1f602175ae624d8f800cd/1591865695842/</image:loc>
      <image:title>rage</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5a43ff57ccc5c504cd257d41/5ee1f1395aad6b31a9fcb0b3/5ee1f150a9477e04e24b5732/1591865695842/</image:loc>
      <image:title>rage</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1591866399962-0A37R7D62Z6HB29QK59X/fire.jpg</image:loc>
      <image:title>rage - Untitled, 2020</image:title>
      <image:caption>by Nathan Hibbert. (instagram slate_mk.2) Taken on May 29, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1591865831606-YQTYZVOWOLEEYQMYXU06/Warning+to+America.jpg</image:loc>
      <image:title>rage</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1591866411020-SCEGN1WLHO7BLMWMWTWX/Warning+to+America.jpg</image:loc>
      <image:title>rage - Warning to America</image:title>
      <image:caption>by Emory Douglas</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/shae-mccoy</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-07-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1593717606585-V3HMYPFORA4N0LN6B6P9/104748220_2749176718647202_5056300995011663698_n.jpg</image:loc>
      <image:title>Shae McCoy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1593717606585-V3HMYPFORA4N0LN6B6P9/104748220_2749176718647202_5056300995011663698_n.jpg</image:loc>
      <image:title>Shae McCoy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1593717604039-ITCHAO605O69JBLHBMP1/83248460_2749176681980539_5540594478970108489_n.jpg</image:loc>
      <image:title>Shae McCoy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1593717605413-J7NJI83PGOZJG2L9NG8D/103895685_2749176598647214_5628571196366876361_n.jpg</image:loc>
      <image:title>Shae McCoy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1593717605837-BCHCDGXV6GP1WBIBOHRX/103825001_2749176548647219_8727411695618860911_n.jpg</image:loc>
      <image:title>Shae McCoy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1593717606421-3O37M6H694XHTX0Q9IER/103752917_2749176518647222_6080264869857961341_n.jpg</image:loc>
      <image:title>Shae McCoy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1593717606900-GTBO6PTQOMTKYEPKMPWJ/83173435_2749176488647225_3426566675792095244_n.jpg</image:loc>
      <image:title>Shae McCoy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1593717607034-GXRDRNRTZPZNC8HKQHAM/104674630_2749176455313895_2071091418769533133_n.jpg</image:loc>
      <image:title>Shae McCoy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1593717607335-JFKGMIVWEB9QV2C4VX4Z/103714724_2749176428647231_7969819878625330164_n.jpg</image:loc>
      <image:title>Shae McCoy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1593717607577-YFS9ZFB62ZD1TMPXPE5V/104157092_2749176408647233_8045623138281977163_n.jpg</image:loc>
      <image:title>Shae McCoy</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/galleryjc</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-07-30</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5a43ff57ccc5c504cd257d41/t/5f22ea93e6239d08fa200c99/1596121848334/</image:loc>
      <image:title>JC</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5a43ff57ccc5c504cd257d41/5f22e2c5a1fbbb275c2a5195/5f22e2f827767d0f85508ed0/1596121848334/</image:loc>
      <image:title>JC</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1596121910146-T9JKV2JFADFATO831V0O/JOE_7222.jpg</image:loc>
      <image:title>JC</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1596121978844-IH8A8YLI4M7UZPKGQE8F/JOE_7146.jpg</image:loc>
      <image:title>JC</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/tem</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2025-10-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1720128328369-EGWQKVNXAB573U5CE3VJ/image-asset.jpeg</image:loc>
      <image:title>About</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1720128394230-MS8B5AYHZZYBK7DB2IGK/image-asset.jpeg</image:loc>
      <image:title>About</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1720128453335-8L761RP0JHA0J64OQJGY/image-asset.jpeg</image:loc>
      <image:title>About</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1720129584958-IYBWXWYNKTM389WN0YK7/image-asset.jpeg</image:loc>
      <image:title>About</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/7405b095-b0b7-439b-a147-fb78a6de2acb/J.A.jpg</image:loc>
      <image:title>About - WE ARE ELECTRIC</image:title>
      <image:caption>Un taller. A workshop. A site. A collaboration. A kinship. A call. A response.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/d8c63da2-192d-4563-bfa3-dc9ed4a2e031/IMG_6183.jpg</image:loc>
      <image:title>About - Dr. Yomaira C. Figueroa-Vásquez</image:title>
      <image:caption>Yomaira C. Figueroa-Vásquez is an Afro-Puerto Rican writer, teacher, and scholar from Hoboken, NJ. She is Professor of Afro-Diaspora Studies in the department of African American, Puerto Rican and Latino Studies at CUNY Hunter and is the Director of the Center for Puerto Rican Studies (CENTRO). She is author of the award-winning book Decolonizing Diasporas: Radical Mappings of Afro-Atlantic Literature (Northwestern 2020; translated to Spanish by Editora Educación Emergente 2023) and the forthcoming book, The Survival of a People (under contract with Duke University Press).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/02f53c62-ed4f-4439-9a6c-4ac095b2eec7/Screen+Shot+2020-06-17+at+4.29.43+PM.jpg</image:loc>
      <image:title>About - Dr. Jessica Marie Johnson</image:title>
      <image:caption>Jessica Marie Johnson is an Associate Professor in the Department of History at the Johns Hopkins University and a former fellow at the Hutchins Center for African and African American Studies at Harvard University. Johnson is a historian of Atlantic slavery and the Atlantic African diaspora. She is the author of the award-winning book Wicked Flesh: Black Women, Intimacy, and Freedom in the Atlantic World (University of Pennsylvania Press, August 2020). Jessica has two forthcoming books with Liveright, an imprint of W. W. Norton examining Black women's engagement with history of slavery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/595d243e-613a-4d74-9adf-6c44f1741b43/Screenshot+2024-07-04+at+5.20.07+PM.jpg</image:loc>
      <image:title>About - Dr. Nadejda Webb</image:title>
      <image:caption>Lead Editor of Electric Marronage Publications</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/b20cfdf3-eaa7-4fd7-bfab-cf0c935ebe39/IMG_9325.jpg</image:loc>
      <image:title>About</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/cad7cee4-0bd5-4682-91ed-4e20fc378bf5/IMG_7570.jpg</image:loc>
      <image:title>About - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/14dcf8d1-67f7-4c81-b611-a9d2244b3b53/BravoStephany_Portrait.jpg</image:loc>
      <image:title>About</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/5fdcb3b5-dc8f-4bef-8f31-46a092a2c73c/IMG_5045.jpg</image:loc>
      <image:title>About - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/b79d1597-982a-4158-9a13-ae430f044210/Fw2JdjHWcAQSE55.jpg</image:loc>
      <image:title>About - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/3f1128df-96fc-4781-8c91-f1482411ece3/IMG_5917.jpg</image:loc>
      <image:title>About</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/210f5d4d-ee8e-4185-aacf-a9e88939d53b/image-asset.jpg</image:loc>
      <image:title>About - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/4-whatever</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-04-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1712181056528-V1BT6FY2PC22CAR73B41/image-asset.jpeg</image:loc>
      <image:title>4. whatever* - Mayra Santos-Febres: The Fractal Caribbean</image:title>
      <image:caption>The Fractal Caribbean: New Literatures of Cuba, Puerto Rico, the Dominican Republic, Thursday, September 12, 2019 Mayra Santos-Febres, Professor of Creative Writing, University of Puerto Rico, Río Piedras This talk explores the efforts of contemporary Hispanic Caribbean writers to represent a reality that thinkers such as Édouard Glissant have often described as significantly chaotic or fractal. How does the idea of the fractal Caribbean offer writers such as Pedro Cabiya Rita Indiana, Soleida Ríos, and others, a new way to understand rationality or selfhood? How might it help build a new, non-binary model of knowledge and social relations? Puerto Rican writer Mayra Santos-Febres is the author of some twenty books of poetry, fiction, and literary criticism, including the novels Sirena Selena, which was a finalist for the Rómulo Gallegos International Novel Prize, Our Lady of the Night, Any Wednesday I’m Yours, and, most recently, La amante de Gardel. A Guggenheim fellow, she is the recipient of the Juan Rulfo Short Story Prize and Puerto Rico’s National Literature Prize. Currently, Santos-Febres is a professor at the University of Puerto Rico, Río Piedras, where she directs the creative writing workshop and the Festival of the Word. In July, she worked as a writer-in-residence at the Rockefeller Foundation’s Bellagio Center Residency Program in Italy. Sponsored by the Latino and Hispanic Faculty Association and the Dresher Center for the Humanities.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1712181056528-V1BT6FY2PC22CAR73B41/image-asset.jpeg</image:loc>
      <image:title>4. whatever* - Mayra Santos-Febres: The Fractal Caribbean</image:title>
      <image:caption>The Fractal Caribbean: New Literatures of Cuba, Puerto Rico, the Dominican Republic, Thursday, September 12, 2019 Mayra Santos-Febres, Professor of Creative Writing, University of Puerto Rico, Río Piedras This talk explores the efforts of contemporary Hispanic Caribbean writers to represent a reality that thinkers such as Édouard Glissant have often described as significantly chaotic or fractal. How does the idea of the fractal Caribbean offer writers such as Pedro Cabiya Rita Indiana, Soleida Ríos, and others, a new way to understand rationality or selfhood? How might it help build a new, non-binary model of knowledge and social relations? Puerto Rican writer Mayra Santos-Febres is the author of some twenty books of poetry, fiction, and literary criticism, including the novels Sirena Selena, which was a finalist for the Rómulo Gallegos International Novel Prize, Our Lady of the Night, Any Wednesday I’m Yours, and, most recently, La amante de Gardel. A Guggenheim fellow, she is the recipient of the Juan Rulfo Short Story Prize and Puerto Rico’s National Literature Prize. Currently, Santos-Febres is a professor at the University of Puerto Rico, Río Piedras, where she directs the creative writing workshop and the Festival of the Word. In July, she worked as a writer-in-residence at the Rockefeller Foundation’s Bellagio Center Residency Program in Italy. Sponsored by the Latino and Hispanic Faculty Association and the Dresher Center for the Humanities.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1712181056514-KGCNYK55Z1HY8RTFL5WN/image-asset.octet-stream</image:loc>
      <image:title>4. whatever*</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/war</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-10-04</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1759441286390-0ICWKLO290KKNB74RRL7/unsplash-image-EFby2I1oDig.jpg</image:loc>
      <image:title>[microdossier] in a time of war</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/war/2025/10/2/letter-from-the-editors</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-04</lastmod>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/war/2025/9/26/pascua-from-sartre-to-gaza-the-committed-writer-in-a-time-of-genocide</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2025-10-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/49398717-6f81-4c78-9f5c-fdfac32bf253/Sartre+in+Palestine_Pic+from+Middle+East+Eye+-+Gabriel+Pascua.jpg</image:loc>
      <image:title>[microdossier] in a time of war - From Sartre to Gaza: The Committed Writer in a Time of Genocide - Make it stand out</image:title>
      <image:caption>Sartre (second from right) and Simone de Beauvoir (right) visit a Palestinian refugee camp in Gaza in 1967 – Source: Middle East Eye.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/war/2025/9/26/janet-arelis-quezada-barriers-to-practices-of-a-cleansing-for-a-prayer-for-solidarity-in-a-time-of-war</loc>
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    <lastmod>2025-10-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/57b35cbe-ed22-4a6f-8efb-b26f1c2cc948/IMG_0775+-+Janet+Arelis+Quezada.jpeg</image:loc>
      <image:title>[microdossier] in a time of war - [Barriers to, Practices of, a Cleansing for, A Prayer for] Solidarity in a Time of War - Make it stand out</image:title>
      <image:caption>In Bahia during their festival of Sao Joao, I looked up at the pink, green, red and white banderías dancing in the winds strung up between the buildings.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/war/2025/9/26/alfailakawi-for-aqir-and-fahad</loc>
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    <priority>0.5</priority>
    <lastmod>2025-10-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/fae146e0-3710-4319-b59e-51ee8202fa79/alfailakawi--for+%E1%B9%A3aqir+and+fahad+%28Visual%29.pdf.jpg</image:loc>
      <image:title>[microdossier] in a time of war - for ṣaqir and fahad - Make it stand out</image:title>
      <image:caption>Created by Amina and Nour Alfailakawi.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/war/2025/9/26/student-solidarity-in-the-time-of-war-learning-organizing-resisting</loc>
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    <priority>0.5</priority>
    <lastmod>2025-10-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/a2336827-56bb-4a27-a392-b1a54a2e9183/IMG_788657918DA5-1+-+Kimberly+Monroe.jpeg</image:loc>
      <image:title>[microdossier] in a time of war - Student Solidarity in the Time of War: Learning, Organizing, Resisting - Make it stand out</image:title>
      <image:caption>Students from across the DMV region gathered at the encampments held at George Washington University to protest the oppression of Palestinians in Gaza.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/war/2025/9/27/in-due-timebest-we-can-wit-what-we-got</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2025-12-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/ebda4069-8fa0-41b1-9fe7-2a3adf137db2/SEER+-+Sharayna+Christmas.JPG</image:loc>
      <image:title>[microdossier] in a time of war - in due time//                                                                                                            best we can, wit what we got - Make it stand out</image:title>
      <image:caption>Seer//Both Sides by Sharayna Ashanti Christmas. Meta, Para Lee, Josephine, Mae a fostering vigilant nurturer. Screen print on cotton Mud cloth Film (2022).</image:caption>
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  </url>
  <url>
    <loc>https://www.electricmarronage.com/war/2025/9/27/care-work-as-a-quiet-activism-in-wartime-punjab-exploring-pedagogies-of-endurance</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-04</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/94ed96ef-8249-403c-a991-d779e9b1d0b0/Picture1.jpg</image:loc>
      <image:title>[microdossier] in a time of war - Care Work as a Quiet Activism in Wartime Punjab: Exploring Pedagogies of Endurance - Make it stand out</image:title>
      <image:caption>“Smt. Nirmal Kaur: A Woman who lived a life of Courage and Resilience amid chaos”</image:caption>
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  <url>
    <loc>https://www.electricmarronage.com/war/2025/9/29/j6ddk4l7dstfxipbbskn22mkf8s0je</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2025-10-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/c3475e1d-0b3f-44c9-bdfe-7611be524d45/IMG_9154+-+Cristina+Medina.jpeg</image:loc>
      <image:title>[microdossier] in a time of war - “I want to live… look for me everywhere.” - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/citations</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-11-24</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1514419419562-XOCZBZOEO09JQYDV0PNA/2015-08-17+08.44.57.png</image:loc>
      <image:title>Citations</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/moodboard</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-03-22</lastmod>
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      <image:title>Mood Board</image:title>
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      <image:title>Mood Board</image:title>
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  <url>
    <loc>https://www.electricmarronage.com/podcasts</loc>
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    <lastmod>2020-09-08</lastmod>
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      <image:title>Podcasts - Savannah Shange</image:title>
      <image:caption>Dr. Savannah Shange is the author of Progressive Dystopia: Abolition, AntiBlackness,+ Schooling in San Francisco and Assistant Professor of Anthropology and principal faculty in Critical Race and Ethnic Studies at the University of California, Santa Cruz.</image:caption>
    </image:image>
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      <image:title>Podcasts</image:title>
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      <image:title>Podcasts - Dr. Randi Gill-Sadler</image:title>
      <image:caption>Dr. Randi Gill-Sadler is the Assistant Professor of English at LaFayette College. Gill-Sadler’s forthcoming book manuscript, Diasporic Dissonance: Black Women’s Writing, the Caribbean, and U.S. Empire, asserts that Black women writers used the Caribbean to explore Black diaspora antagonisms resulting from U.S. imperial exploits. For more information about her work, watch Dr. Gill-Sadler on Left of Black.</image:caption>
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      <image:title>Podcasts</image:title>
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    <lastmod>2021-03-26</lastmod>
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      <image:title>Library</image:title>
      <image:caption>Baltimore, June 2020 | Credit: Kyle Pompey (@niceshotkyle)</image:caption>
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      <image:title>Library - Decolonizing Diasporas: Radical Mappings of Afro-Atlantic Literature by Yomaira C. Figueroa-Vásguez</image:title>
      <image:caption>Preorder Now</image:caption>
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      <image:title>Library - Wicked Flesh: Black Women, Intimacy, and Freedom in the Atlantic World</image:title>
      <image:caption>Order Now</image:caption>
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      <image:caption>Baltimore, June 2020 | Kyle Pompey (@niceshotkyle)</image:caption>
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      <image:title>Library - “It is impossible to be unarmed when Blackness is the weapon you fear.”</image:title>
      <image:caption>Baltimore, June 2020 | Credit: Kyle Pompey (@niceshotkyle)</image:caption>
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    <loc>https://www.electricmarronage.com/absconding</loc>
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    <lastmod>2020-07-24</lastmod>
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      <image:title>absconding</image:title>
      <image:caption>African-American children in housing courtyard. View through arched doorway with woman in foreground. Source: Federal Writers' Project (S.C.), [Charleston, S.C.: Houses], South Caroliniana Library, University of South Carolina.</image:caption>
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      <image:title>absconding</image:title>
      <image:caption>Plate 82, Robert Farris Thompson, Flash of the Spirit: African &amp; Afro-American Art &amp; Philosophy, 137</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1595473268460-H779OGZ9FNZFPT4V00CS/boneyard.jpg</image:loc>
      <image:title>absconding</image:title>
      <image:caption>“Boneyard” from Sea Islands Series, Carrie Mae Weems</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1595476189182-HXK8GMGAVJFAQMP4R5GO/praisehouse.jpg</image:loc>
      <image:title>absconding</image:title>
      <image:caption>“Praise House” from Sea Islands Series, Carrie Mae Weems</image:caption>
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  <url>
    <loc>https://www.electricmarronage.com/whatever</loc>
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    <lastmod>2020-07-25</lastmod>
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      <image:caption>In That Land of Perfect Day (series), Mississippi, Brandon Thibodeaux</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1595562586537-XWR5YZW816ZCEIH2LZH2/download+%287%29.png</image:loc>
      <image:title>*whatever</image:title>
      <image:caption>Woman fishing under highway bridge, 1979 Sept. Paul Kwilecki</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1595562760500-1L0FZP6S52VLHEER9HE2/download+%289%29.png</image:loc>
      <image:title>*whatever</image:title>
      <image:caption>Two women (head shot) in front of tobacco barn, 1966, Paul Kwilecki</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1595562476803-C4KJSJG8AROEIM0Y8VI0/download+%288%29.png</image:loc>
      <image:title>*whatever</image:title>
      <image:caption>Spectators, rear of courtroom, 1997 in Bainbridge, GA by Paul Kwilecki</image:caption>
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  <url>
    <loc>https://www.electricmarronage.com/feeling</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2020-07-24</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1595488601034-NK7MOUNF2KPWUY7JCP86/juke+joint+3.jpeg</image:loc>
      <image:title>feeling</image:title>
      <image:caption>Jitterbugging in a Juke Joint on Saturday Afternoon (Clarksdale, MS) by Marion Post Wolcott, 1939.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1595487765728-9Q14OXHIOXHUE46WGL4C/SouthernRoute33.jpg</image:loc>
      <image:title>feeling</image:title>
      <image:caption>Southern Route 33, Tamara Reynolds</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1595488361549-I9842N2X504N35YX3MNI/juke+joint2.jpg</image:loc>
      <image:title>feeling</image:title>
      <image:caption>Jitterbugging in a juke joint on Saturday evening outside Clarksdale, MS November 1939 (Marion Post Wolcott, Library of Congress, Washington D.C. [LC-USF34- 052594-D])</image:caption>
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  </url>
  <url>
    <loc>https://www.electricmarronage.com/stealing</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-07-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1595478098545-Z235KZZIBN6EZ094CQ59/porch+scene.jpg</image:loc>
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      <image:caption>Porch Portraits (1974) series, Susan Meiselas</image:caption>
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      <image:title>stealing</image:title>
      <image:caption>Front porch of two-family tobacco tenant house, 1964, Paul Kwilechi</image:caption>
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      <image:title>stealing</image:title>
      <image:caption>African-American children on porch of shack. Federal Writers' Project (S.C.), [Charleston, S.C.: Houses], South Caroliniana Library, University of South Carolina.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1595479537787-8M98ZWWA3C5AKJB0NEVH/nolaporch.jpg</image:loc>
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      <image:caption>New Orleans, Louisiana, 1968, Alex Abbas</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1595563013375-F65K25LRE85XJ9LHAXH2/download+%2811%29.png</image:loc>
      <image:title>stealing</image:title>
      <image:caption>Family assembled on front porch, 1971, Paul Kwilecki</image:caption>
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  </url>
  <url>
    <loc>https://www.electricmarronage.com/events</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-06-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/dde36b19-ede7-4da8-af00-0725cafa6e56/My+project+copy+2.png</image:loc>
      <image:title>Events - Writing as Liberation: Black Women Writers in Conversation</image:title>
      <image:caption>Join Taller Electric Marronage for this gathering of Black women writers as we celebrate the debut works of Alexis V. Jackson, author of My Sisters’ Country and Candice Benbow, author of Red Lip Theology. Moderated by Deesha Philyaw, author of The Secret Lives of Church Ladies, this event features readings from Jackson and Benbow followed by a conversation on Black womanhood, spirituality, and writing as a means of liberation. Purchase Jackson’s My Sisters’ Country at Kore Press with the promo code: WritingAsLiberation. Purchase Philyaw’s The Secret Lives of Church Ladies at WVU Press with the promo code: SECRETCLUB30.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/e5e887b5-65a6-4f84-adeb-9e82fb5817cb/Lindsey+Book+Talk.png</image:loc>
      <image:title>Events - A Book Talk with Dr. Treva B. Lindsey</image:title>
      <image:caption>Please join Taller Electric Marronage and the JHU Center for Africana Studies for an evening with Dr. Treva B. Lindsey to discuss her new book AMERICA GODDAM: Violence, Black Women, and the Struggle for Justice (UC Press, 2022) Monday, May 16, 2022 Time: 5pm to 7pm EST CLICK THE LINK: bit.ly/EMAmericaGoddam Book available here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/e217b94f-9ed8-4e4d-ad99-02d55e36715b/2.png</image:loc>
      <image:title>Events - Book Talk: Toward Camden and Magical Habits</image:title>
      <image:caption>Reflections on intimate writing, mixed genre memoir, and the practice of writing Boricua and Chicana lives. Featuring: Mercy Romero author of Toward Camden and Monica Huerta Magical Habits Friday April 1, 2022 Register: tinyurl.com/EMmagicalcamden</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/d14df66e-f6f2-4f6d-ba1b-1b064a1fdd49/EM+Solidarities+Anarchy.png</image:loc>
      <image:title>Events - Solidarities: Anarchy</image:title>
      <image:caption>Please join us on March 11th at 12pm ET for the Electric Marronage Solidarities Speaker Series: Solidarities: Anarchy A forum regarding Questions, Practices, &amp; Frictions within and across Anarchist Histories &amp; Movements. featuring: Theresa Warburton, William C. Anderson, and Jorell Melendez-Badillo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/bf3fc24c-d0d1-4e7c-a5c7-eb869cad0846/EM+Black+Girlhood+FINAL.png</image:loc>
      <image:title>Events - Solidarities: Black Girlhood Conversations</image:title>
      <image:caption>We are excited to host this conversation on Solidarities and Black Girlhood on February 10th @ 3pm ET. Featuring a conversation with: Annette Joseph-Gabriel + Crystal Webster + Nazera Wright + Kabria Baumgartner + Aria Halliday + Habiba Ibrahim Register Here</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/7727051d-7bd3-49fe-bd4b-86eca2f286ca/Black+New+Orleans+Event+Flyer+FINAL.png</image:loc>
      <image:title>Events - Black New Orleans</image:title>
      <image:caption>History x Art X Narrative. Featuring: Cierra Chenier, Mona Lisa Saloy, Kristina Kay Robinson December 8, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1622843566645-QETSMACEV16G53GC8X0V/EM+Poetics+2021.png</image:loc>
      <image:title>Events - Solidarities: Poetics in Relation</image:title>
      <image:caption>SOLIDARITIES: POETICS IN RELATION :: JUNE 17, 2021 6pm EST :: REGISTER HERE</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1621031091140-JX22PLQWV0OBRTYRFFL0/E1Bz8GKXsAY-A4d.jpeg</image:loc>
      <image:title>Events - Electric Marronage: Inaugural Solidarities Event</image:title>
      <image:caption>A conversation about solidarities, abolition &amp; relationality across Black, Indigenous/Asian/Pacific/Caribbean experiences Thursday May 13, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1618238341467-2BG1H3FUS224FHJISVWH/b23650325e0fb9718a8c518a089e4688.jpg</image:loc>
      <image:title>Events - Matrilineal Memory: Mapping the Body Home</image:title>
      <image:caption>In this workshop we will mine personal stories to deepen our understanding and connect to our embodied memories of freedom. Tuesday, April 20th 2pm - 4pm EST</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1614868931162-VPGHLHB8XF8HO5VTL8OX/IMG_0112+2.JPG</image:loc>
      <image:title>Events - Mouths of Rain: An Anthology of Black Lesbian Thought,</image:title>
      <image:caption>Electric.Marronage presents Mouths of Rain: An Anthology of Black Lesbian Thought, a conversation with editor Briona Simone Jones, contributor, writer, and poet Alexis De Veaux, and our co-directors, Drs. Yomaira Figueroa and Jessica Marie Johnson. Friday, March 19th | 12:00 PM EST</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1613434142253-5GGRPYUMIDOP1OZTV5RJ/6CB42644-082D-4B07-BD3C-B92C0F289CC0.jpeg</image:loc>
      <image:title>Events - EM Bomba Workshop with Bombazo Dance Co.</image:title>
      <image:caption>Each Wednesday in February 12:40 PM to 2:00 PM EST</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1612229455293-U6VEQZYZRS9X71LFUE5R/20210122_192750.png</image:loc>
      <image:title>Events - Artist Talk: Rebecca Mwase in Conversation with Jessica Solomon.</image:title>
      <image:caption>Saturday, February 6th at 1pm, join us online at the Critical Conversations on Reproductive Health/Care: Past, Present, and Future to talk with our Artist In Residence: Rebecca Mwase. The conversation will explore the intersections of race, pain and care, and will feature a workshop and Q&amp;A. Rebecca Mwase is a Zimbabwean-American theater and performance artist, creative consultant, producer, educator and cultural organizer working at the intersection of art and social justice. She has trained with ArtSpot Productions, Dah Theater, the Highlander Center for Research &amp; Education, Urban Bush Women and Junebug Productions in cultural organizing, devising and storytelling.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1611028401870-12LS9P0MP7030M6XD89A/Student+Council+Poster.jpg</image:loc>
      <image:title>Events - ELECTRIC LABORATORY: A Conversation with Dark Laboratory x Electric.Marronage Monday, January 25th | 4-6pm</image:title>
      <image:caption>Join us Drs. Yomaira Figueroa and Jessica Marie Johnson of Taller Electric Marronage and Drs. Tao Leigh Goffe and Tiffany Lethabo King of Dark Laboratory for a conversation on decoloniality and Black modes of being. READ ABOUT THE ROUNDTABLE HERE</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1608049339530-TIE62OQHU3AHFBHH7WQN/Ballester+Pandemia+Botanica.jpg</image:loc>
      <image:title>Events - CARIBE FRACTAL // FRACTAL CARIBBEAN Works by José Arturo Ballester Panelli</image:title>
      <image:caption>Curators Stephany Bravo + Dr. Yomaira Figueroa | An Electric Marronage + the RCAH LookOut Gallery production. Opening Event: Tuesday, December 15, 2020, 5:00-6:30pm Visit the Virtual Exhibition at RCAH José Arturo Ballester Panelli, is an Afro-Boricua artist based in Puerto Rico &amp; the U.S. Virgin Islands. His work explores the connections between photography, Afro-Caribbean aesthetics, history and the racial, social and ecological system in the Caribbean and its diasporas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1605724863895-2SIZ6XU0C5L4KSWHBFF5/brownheadshot.jpg</image:loc>
      <image:title>Events</image:title>
      <image:caption>Dr. Aleia Brown, Assistant Director of the African American History, Culture and Digital Humanities (AADHum) Initiative</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1599529082056-WBFGOWYDWRAE1H7S3HD7/ferretti_jennifer_04sm.jpg</image:loc>
      <image:title>Events</image:title>
      <image:caption>Jennifer Ferretti, Digital Initiatives Librarian at the Maryland Institute College of Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1605725000242-5HYO60U0JM1VAUWJ78EO/image-asset.jpeg</image:loc>
      <image:title>Events</image:title>
      <image:caption>Bilphena Yahwon, Curator of The Womanist Reader</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1597331104984-1W4Q2W8P6133WAG3WOBW/alex-gil.jpg</image:loc>
      <image:title>Events - Wax Workshop &amp; Rapid Response Workshop</image:title>
      <image:caption>Alex Gil is the Digital Scholarship Librarian at Columbia University Libraries. He collaborates with faculty, students and library professionals leveraging computational and network technologies in humanities research, pedagogy and knowledge production. He is among the founders of several ongoing, warmly received initiatives where he currently plays leadership roles: Co-director of the Studio@Butler at Columbia University, a tech-light library innovation space focused on digital scholarship and pedagogy; co-founder and moderator of Columbia’s Group for Experimental Methods in the Humanities, a vibrant trans-disciplinary research cluster focused on experimental humanities; senior editor of sx archipelagos, a journal of Caribbean Digital Studies, and co-wrangler of The Caribbean Digital conference series. He is also founder and former chair of Global Outlook::Digital Humanities. Active digital projects include Ed, a digital platform for minimal editions of literary texts, and Wax for minimal exhibits of cultural artifacts; In The Same Boats, a visualization of trans-Atlantic intersections of black intellectuals in the 20th century; and most recently, the nimble tent interventions Torn Apart/Separados and Covid Maker Response. THURS. OCTOBER 1ST | 11AM to 3PM WAX WORKSHOP FRIDAY, OCTOBER 2ND | 11AM TO 3PM RAPID RESPONSE WORKSHOP</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1599528627266-KDJOL9UT0U2MN8DHVBKI/MarisaParham.jpeg</image:loc>
      <image:title>Events - Twine Workshop I &amp; II</image:title>
      <image:caption>Marisa Parham is Visiting Professor of English at the University of Maryland, where she serves as director for the African American Digital Humanities initiative (AADHUM), and is the associate director for the Maryland Institute for Technology in the Humanities (MITH). She also co-directs the Immersive Realities Lab for the Humanities, which is an independent workgroup for digital and experimental humanities (irLhumanities). Her research explores texts and technologies that problematize assumptions about time, space, and bodily materiality, focusing on how such terms share a history of increasing complexity in texts produced by African Americans, thus expanding intersectional approaches to digital humanities. Recently published examples of this work include “Sample | Signal | Strobe: Haunting, Social Media, and Black Digitality,” and the interactive long-form scholarly essays, .break .dance, and Breaking, dancing, making in the machine. She is currently developing Black Haints in the Anthropocene, a book-length born-digital project that focuses on memory, haunting, digitality, and Black environmental experience. From 2001 to 2020, she served as Professor of English and Faculty Diversity and Inclusion officer at Amherst College, where in 2018 she was awarded its inaugural teaching award. She is also a former director of Five College Digital Humanities. Marisa Parham earned her doctorate degree in English and Comparative Literature from Columbia University in 2004. WED. OCTOBER 21ST | 11AM TO 1PM TWINE WORKSHOP PART I THURS. OCTOBER 22ND | 11AM TO 1PM TWINE WORKSHOP PART II</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/afrolatinx-lab</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-08-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1645588630710-AYIAV2KBPCC0E5NX5EWM/EM+Logo+2021+%281%29.png</image:loc>
      <image:title>Afro-Latinx Lab</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/6572b1dd-42c2-46d2-884b-c1d113287fc8/Screen+Shot+2023-08-12+at+10.37.24+PM.png</image:loc>
      <image:title>Afro-Latinx Lab - Alive in their garden</image:title>
      <image:caption>This group show features works by four Black Latinx diasporic artists — Joiri Minaya, Felli Maynard, Star Feliz, and Nitzayra Leonor — engaging plant materiality and aesthetics as portals of gender subversion, ecological justice, ancestral knowing, and healing. Visit the show here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1645586580491-1RMBGN44UQ0XCIK79HXZ/1.png</image:loc>
      <image:title>Afro-Latinx Lab</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1645586580579-N2PVLE4WF4CJHJAHHZ7Y/2.png</image:loc>
      <image:title>Afro-Latinx Lab</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1645029439883-9WUFJ7X9686OMDHQ9WD8/Screen+Shot+2022-02-16+at+11.28.02+AM.png</image:loc>
      <image:title>Afro-Latinx Lab</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1645029439422-QW7EULGGJQ7U5OFCKKMP/Screen+Shot+2022-02-16+at+11.28.23+AM.png</image:loc>
      <image:title>Afro-Latinx Lab</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/4015f6ba-88fc-46b9-8862-42f479eab357/thumbnail_Zoom+box+pic.jpg</image:loc>
      <image:title>Afro-Latinx Lab - “Archival Silences in Puerto Rican Studies”</image:title>
      <image:caption>Ileana M. Rodríguez-Silva is associate professor of Latin American and Caribbean history and Director of Undergraduate Studies in the History Department at the University of Washington-Seattle. She is the author of Silencing Race: Disentangling Blackness, Colonial Regimes, and National Struggles in Post-Emancipation Puerto Rico (Palgrave, 2012). In this clip from the Afro-Latinx Lab “Afro-Diasporic Afterlives” Speaker Series, she discusses her approach to researching, writing, and publishing Silencing Race and answers questions about the politics and archival practices of studying race and Blackness in Puerto Rico. READ MORE: “The Caribbean House of Mirrors: Constructing Regions in Area Studies”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1646843647584-RW8604KB7Q1PRK8FRFQN/Afterlives+Speaker+Series+SP%2722.png</image:loc>
      <image:title>Afro-Latinx Lab</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1648667155122-J3ER7BMYKQE61NXIV6L8/Afterlives+Mayra+Santos+Febres+2022.png</image:loc>
      <image:title>Afro-Latinx Lab</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1648667156169-HJQU1MFZCAUI0SHIIO1M/Afterlives+Exhibit+%26+Seminar+Flyers+%281%29.jpeg</image:loc>
      <image:title>Afro-Latinx Lab</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1648667147628-3DMPHLJ6HHCPZPZXVXHA/Afterlives+PerezLopez+2022.jpeg</image:loc>
      <image:title>Afro-Latinx Lab</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1646843649239-JG1CR55UGCDKUQJ9RF92/Afterlives+Carlos+Decena+29March22.png</image:loc>
      <image:title>Afro-Latinx Lab</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1645587729737-CMJ8QBS1VVVR8133Y56U/4.png</image:loc>
      <image:title>Afro-Latinx Lab</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/325c08ba-da0b-47d5-96a4-586a870b9f5d/CarlosDecena.jpg</image:loc>
      <image:title>Afro-Latinx Lab - “The Sacred as Archive”</image:title>
      <image:caption>Carlos Ulises Decena is an interdisciplinary scholar and writer. A member of the Rutgers University faculty since 2005, Decena teaches in the Department of Latino and Caribbean Studies and Women's, Gender, and Sexuality Studies. He published his first book, Tacit Subjects: Belonging and Same-Sex Desire among Dominican Immigrant Men (Duke 2011). Circuits of the Sacred: Faggotology in the Black Latinx Caribbean will be published in Spring 2023 by Duke University Press.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/ccd3ca61-7278-44ce-8bd6-d72d88a1d1a7/Perez+Lopez+Headshots.jpg</image:loc>
      <image:title>Afro-Latinx Lab - “Photography as Archival Method”</image:title>
      <image:caption>Sebastian Perez &amp; Chris Lopez Sebastián Pérez teaches courses on race and ethnicity in American literature, Latinx cultural production, Caribbean diasporic aesthetics, &amp; Cultural Studies theory. Dr. Pérez earned his Ph.D. in American Studies from Yale University where he also completed his B.A. in American Studies and Ethnicity, Race, and Migration. Prior to arriving at Fairfield, he taught and completed his dissertation research as a Bolin Fellow in Latina/o Studies at Williams College. Christopher López (b.1984), a Puerto Rican-American photographer, was born in The Bronx and was raised between New York and Northern New Jersey. He began his career as an independent photographer in 2005 starting at the New York City based paper, El Diario La Prensa. Often by exploring diminishing histories, his photographs celebrate the richness of culture as well as portray the complexities of identity both on and off the island. His work was most notably featured in the exhibition, “Caribbean; Crossroads of the World” which spanned three museums in New York City and showcased over 100 years of Caribbean art from the region's most prominent artists. His works are currently in the permanent collections of El Museo Del Barrio, The World Trade Center Memorial Museum, and The Smithsonian National Portrait Gallery. His most recent work, “The Afterlives of Ismael Rivera: A Visual Guide to the Heart,” explores the interpretation of songs through documentary photo practice.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/b0a69305-f5a6-409d-81e4-85813582e72a/IMG-0368.jpg</image:loc>
      <image:title>Afro-Latinx Lab - “Intimate Archives, Memory &amp; Geography”</image:title>
      <image:caption>Mercy Romero received her B.A from Barnard College (English) and her Ph.D. from UC Berkeley (Ethnic Studies). She teaches American literature and American studies in the Hutchins School of Liberal Studies at Sonoma State University. In her writing and research, she is interested in place making practices, structural abandonment, and the visual life of poverty, and how poetry and public art mediate a conversation about the “nowhere” sites of social suffering. Her first book, Toward Camden (Duke University Press 2021), thinks about Puerto Rican memory, demolition, and the built environment in post 1970’s Camden, New Jersey (her hometown). She has also written essays on Black/Latinx social movement archives. She is a former UC President’s Postdoctoral fellow. Presently, she is a National Endowment for the Humanities/Ford Foundation Scholar in Residence at the Schomburg Center for Research in Black Culture and a Flamboyan Foundation Arts Fund/Andrew W. Mellon Foundation Letras Boricuas fellow.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/ce2a938e-0a04-4dbe-bce1-219d95cdb494/mjulio2020-1.jpg</image:loc>
      <image:title>Afro-Latinx Lab - “Fiction as Archive: Our Lady of the Night”</image:title>
      <image:caption>Mayra Santos-Febres was born in Carolina, Puerto Rico in 1966. She studied literature at the University of Puerto Rico and holds a Ph. D. at Cornell University. She has been a visiting scholar at Rutgers (1992), Cornell (1994) and Harvard University (2004), as well as Complutense University in Spain (2013), Autonomous University of México, at Yucatán campus (2008) and Leipzig University in Holland (2005). She co-created the Creative Writing Program for the University of Puerto Rico, and founded and directed The Word/ Festival de la Palabra, the most internationally recognized Literary Festival in Puerto Rico (2010-2009). Content Coordinator of Interdisciplinary and Multicultural Institute at the UPR, Mayra Santos–Febres is currently the Principal Investigator for the development of University of Puerto Rico’s Afro Diasporic and Race Studies Program, which has been recently awarded with a Mellon Foundation grant for academic diversification.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1622392356125-G2W8SIMEYE8Y0X4DLPMD/BC+PR+Studies+50+2021.jpeg</image:loc>
      <image:title>Afro-Latinx Lab</image:title>
      <image:caption>In the wake of hurricanes, earthquakes, political upheaval, the pandemic, ongoing femicides, anti-Black racism, and destabilizing austerity measures, what can Puerto Rican Studies tell us about Boricua past and futures? On Thursday April 8th, 2021 the Brooklyn College Department of Puerto Rican &amp; Latino Studies’ Puerto Rican Alliance, in collaboration with the BC Comité Noviembre and the Puerto Rican Studies Association hosted an event to celebrate the 50-year anniversary of the establishment of Puerto Rican Studies at Brooklyn College. The panel comprised of a multi-disciplinary Afro-Puerto Rican feminist scholars signaled a radical shift in the field. This organizational movida not only centered racialized gender and Blackness as a central aspect of the future and creation of Puerto Rican Studies, but also was suggestive of the multiple and transdisciplinary approaches that reflect the environmental, embodied, archival, and sociopolitical preoccupations that will frame Puerto Rican studies in the decades to come. In an effort to document these moment of encuentro and confluence of ideas, the Afro-Latinx Lab will highlight some of the reflections from the panel of scholars, activists, and organizers featured at the event.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1622392047751-B9V6Q4EP9QEL9NN531G0/IMG_1119-300x200.jpg</image:loc>
      <image:title>Afro-Latinx Lab - Daniel Vázquez Sanabria</image:title>
      <image:caption>Daniel Vázquez Sanabria, Brooklyn College ‘21, Event Organizer and Moderator</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1622393953676-Q9ZR0GJFA7QAO1QV3P4O/roque-anais-headshot.jpeg</image:loc>
      <image:title>Afro-Latinx Lab - Anais Delilah Roque Antonetty, Ph.D.</image:title>
      <image:caption>Anais Delilah Roque Antonetty, Ph.D. Postdoctoral Scholar of Environmental Social Science, Arizona State University</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1622394544197-7NSS9N9NOBQHKQN9GVEN/NL7oOxxc_400x400.jpeg</image:loc>
      <image:title>Afro-Latinx Lab - Beth Colón-Pizzini, PhD,</image:title>
      <image:caption>Beth Colón-Pizzini, PhD, Department of African and African Diaspora Studies, University of Texas at Austin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1622394796793-9G628E7D4YYO4JEGEICE/SarahBruno_3_718x480.jpeg</image:loc>
      <image:title>Afro-Latinx Lab - Sarah Bruno, Ph.D.</image:title>
      <image:caption>Sarah Bruno, Ph.D., Department of Anthropology, University of Wisconsin-Madison</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1622395122959-ESUD3347NWYXFSWK7OG1/Yomaira+Figueroa+Bio+Photo.jpg</image:loc>
      <image:title>Afro-Latinx Lab - Yomaira C. Figueroa-Vásquez, Ph.D.</image:title>
      <image:caption>Yomaira C. Figueroa-Vásquez, Ph.D., Associate Professor, Department of English, Michigan State University</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1618088744937-NWR4HYPDW6FVUNFHNZWH/main_31.jpg</image:loc>
      <image:title>Afro-Latinx Lab</image:title>
      <image:caption>Bárbara Abadía-Rexach, Ph.D.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1618089221352-SYO4N0M48FU69GAF09P9/paul_joseph_lopez_oro_carter_g_woodson_predoctoral_fellowship_awardee.jpg</image:loc>
      <image:title>Afro-Latinx Lab</image:title>
      <image:caption>Pablo Lopez Oro, Ph.D.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a43ff57ccc5c504cd257d41/1618090171332-IACTO9WO1T16N5F2P99J/_MG_1075.jpg</image:loc>
      <image:title>Afro-Latinx Lab</image:title>
      <image:caption>Omaris Z. Zamora, Ph.D.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.electricmarronage.com/filosofa-del-cimarronaje</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-05-06</lastmod>
  </url>
</urlset>

